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A GOOD HOUSE

One of those quietly resonant novels that memorably portray a family and a place as time presses on.

A multigenerational Canadian bestseller in which distinctive characters respond gallantly to love, death, and life's unexpected assaults on family happiness.

Set in a small Ontario town on the shores of Lake Huron, the story begins slowly as it introduces the town and the Chambers family. The year is 1949, and Bill Chambers, a navy veteran who lost three fingers from his right hand in battle, is happily working again at the local hardware store. His wife Sylvia, a lively and wise woman, is a homemaker; their children, Patrick, Daphne, and Paul, are still in school. In the summer of 1952, 15-year-old Patrick's friend Murray McFarlane, the only son of wealthy but elderly parents, decides to produce a circus. But on opening night, Daphne, 12, who was to be the acrobat, falls mid-performance and badly breaks her jaw. Shortly after the accident, Sylvia becomes terminally ill. The family is strong and loving, but her death will continue to affect them in the years ahead. Even Murray, who loves Daphne and spends most of his time with the Chambers brood, will recall Sylvia's perceptive advice to him. Bill soon remarries, and his new bride, 40-ish Margaret—a beautifully rendered character: perceptive, generous, and sensitive—holds the family together in the years ahead. Prize-winning newcomer Burnard, who has published two story collections in Canada, occasionally renders the the passage of time too abruptly by using significant events as markers: the birth of Margaret and Bill's daughter Sarah; Paul's unexpected death; unmarried Daphne's two pregnancies; as well as weddings and divorces. But she deftly traces the impact of all these joyful and sad occurrences on the whole family. Margaret's ordeal in the 1990s, as she copes with Bill's dementia, is especially moving.

One of those quietly resonant novels that memorably portray a family and a place as time presses on.

Pub Date: Sept. 5, 2000

ISBN: 0-8050-6495-8

Page Count: -

Publisher: Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: July 1, 2000

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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