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YOU KNOW WHAT YOU HAVE TO DO

It’s a fast-moving tale with an engagingly complex protagonist, but it suffers from its credibility issues. (Thriller. 12-17)

Fifteen-year-old Maggie, or Mary-Magdalene, as her flaky young mother Roxanne optimistically christened her, hears a didactic male voice inside her head instructing her precisely how and when to kill individuals who have wronged her friends.

Maggie is compelled to obey the orders, and the murders come thick and fast. The first casualty is the abusive drunk father of her childhood friend and admirer, a nerdy boy named Lester Pint. Lester witnesses the (separate) murders of his father and an armed woodsman whom Maggie pushes off a cliff while they are on a nature walk, and he barely escapes being drowned in his own pool when the voice tells Maggie Lester may expose her crimes. By some miracle, she is never actually convicted of these inept and clue-laden murders. She does, however, suffer enough remorse to land in a mental hospital. Maggie has a checkered personal history to contend with. She describes herself flippantly as “the bastard memento a red-headed jackass named Lonnie Kraft left behind after he got tired of my mother’s affection.” On a visit to her father in prison, Maggie discovers that he is innocent of the murder of his deranged mother and that his mother heard voices in her head, just like Maggie. Maggie’s affectless first-person narration gives readers a front-row seat to her every thought.

It’s a fast-moving tale with an engagingly complex protagonist, but it suffers from its credibility issues. (Thriller. 12-17)

Pub Date: March 26, 2013

ISBN: 978-1-4778-1642-4

Page Count: 240

Publisher: Amazon Children's Publishing

Review Posted Online: Jan. 27, 2013

Kirkus Reviews Issue: Feb. 15, 2013

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THE LINES WE CROSS

A meditation on a timely subject that never forgets to put its characters and their stories first

An Afghani-Australian teen named Mina earns a scholarship to a prestigious private school and meets Michael, whose family opposes allowing Muslim refugees and immigrants into the country.

Dual points of view are presented in this moving and intelligent contemporary novel set in Australia. Eleventh-grader Mina is smart and self-possessed—her mother and stepfather (her biological father was murdered in Afghanistan) have moved their business and home across Sydney in order for her to attend Victoria College. She’s determined to excel there, even though being surrounded by such privilege is a culture shock for her. When she meets white Michael, the two are drawn to each other even though his close-knit, activist family espouses a political viewpoint that, though they insist it is merely pragmatic, is unquestionably Islamophobic. Tackling hard topics head-on, Abdel-Fattah explores them fully and with nuance. True-to-life dialogue and realistic teen social dynamics both deepen the tension and provide levity. While Mina and Michael’s attraction seems at first unlikely, the pair’s warmth wins out, and readers will be swept up in their love story and will come away with a clearer understanding of how bias permeates the lives of those targeted by it.

A meditation on a timely subject that never forgets to put its characters and their stories first . (Fiction. 12-17)

Pub Date: May 9, 2017

ISBN: 978-1-338-11866-7

Page Count: 402

Publisher: Scholastic

Review Posted Online: Feb. 19, 2017

Kirkus Reviews Issue: March 1, 2017

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THE FIELD GUIDE TO THE NORTH AMERICAN TEENAGER

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice.

A teenage, not-so-lonely loner endures the wilds of high school in Austin, Texas.

Norris Kaplan, the protagonist of Philippe’s debut novel, is a hypersweaty, uber-snarky black, Haitian, French-Canadian pushing to survive life in his new school. His professor mom’s new tenure-track job transplants Norris mid–school year, and his biting wit and sarcasm are exposed through his cataloging of his new world in a field guide–style burn book. He’s greeted in his new life by an assortment of acquaintances, Liam, who is white and struggling with depression; Maddie, a self-sacrificing white cheerleader with a heart of gold; and Aarti, his Indian-American love interest who offers connection. Norris’ ego, fueled by his insecurities, often gets in the way of meaningful character development. The scenes showcasing his emotional growth are too brief and, despite foreshadowing, the climax falls flat because he still gets incredible personal access to people he’s hurt. A scene where Norris is confronted by his mother for getting drunk and belligerent with a white cop is diluted by his refusal or inability to grasp the severity of the situation and the resultant minor consequences. The humor is spot-on, as is the representation of the black diaspora; the opportunity for broader conversations about other topics is there, however, the uneven buildup of detailed, meaningful exchanges and the glibness of Norris’ voice detract.

Despite some missteps, this will appeal to readers who enjoy a fresh and realistic teen voice. (Fiction. 13-16)

Pub Date: Jan. 8, 2019

ISBN: 978-0-06-282411-0

Page Count: 384

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: Oct. 14, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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