The sign on Bear’s front door declares “NO VISITORS ALLOWED”—and the curmudgeon means it. When a tapping at the door interrupts his breakfast preparation, he’s quite annoyed, especially when he opens it and finds a small, bright-eyed mouse. Bear points to his sign and slams the door. But, when he opens the cupboard for a bowl, there is the mouse. “OUT,” commands Bear. Three more times, the mouse raps and Bear yells. He locks the door and windows, stops up the chimney, plugs the drain in the bathtub and thinks he’s mouse-free—until he lifts the tea-kettle lid and there’s the mouse—again! “I give up,” Bear blubbers. “You win!” Two plates of cheese, two cups of tea and two sets of fire-warmed toes later, the mouse promises to go. When Bear walks him to the door, he shows his appreciation of mouse’s company by taking down his sign: “Only for salesmen—not friends.” Charmingly droll, watercolor, ink and gouache illustrations, excellent pacing and the contrast in the sizes of Bear and mouse are a perfect comedic mixture. Kids will giggle each time the mouse reappears and grin with satisfaction when big and little become friends. (Picture book. 3-7)
Pub Date: Feb. 1, 2008
ISBN: 978-0-7636-2807-9
Page Count: 56
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2007
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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