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HOTHOUSE

THE ART OF SURVIVAL AND THE SURVIVAL OF ART AT AMERICA'S MOST CELEBRATED PUBLISHING HOUSE, FARRAR, STRAUS, AND GIROUX

A smart, savvy portrait of arguably the country’s most important publisher.

A thorough study of the gold standard in American literary publishing, complete with sex, sour editors and the occasional stumble into financial success.

Farrar, Straus and Giroux has corralled some of the most prominent names in literature since it was founded in 1945, from Isaac Bashevis Singer to Susan Sontag to Philip Roth to Jeffrey Eugenides. As New York contributing editor Kachka makes clear in this generally lively history, little of its success came easy: If weak-selling books weren’t the problem, personality clashes within the office were. The core of the story is Roger Straus, who championed some of the publisher’s biggest names throughout the years, including Tom Wolfe, whose fiction and nonfiction defined a generation of writing, though his delayed manuscripts put the company under financial strain. (His 1979 classic on the space program, The Right Stuff, appeared in FSG’s catalog for years.) Some intramural tussles among editors read like insider baseball, but Kachka’s recollections of FSG’s struggle with independence (it sold to the German firm Holtzbrinck in 1994) and the modern era of big-money agents give a smart and informative portrait of the mechanisms of modern publishing. Roger Straus (who died in 2004) was a complicated man fit for this tale: He bedded plenty of women, was notoriously stingy, and engaged in an extended push and pull with his son, Roger Straus III, who’d spend time in and out of the company. Kachka extends the story into the present day, where, under the leadership of Jonathan Galassi, novelists like Eugenides and Jonathan Franzen preserve the publisher’s high-art sensibility while struggling to make ends meet. But Kachka wants to remind us that it’s always been thus: FSG was forever saved from failure by the big hit that cannily merged literary and commercial.

A smart, savvy portrait of arguably the country’s most important publisher.

Pub Date: Aug. 6, 2013

ISBN: 978-1-4516-9189-4

Page Count: 400

Publisher: Simon & Schuster

Review Posted Online: April 15, 2013

Kirkus Reviews Issue: May 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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