by Boris Kachka ‧ RELEASE DATE: Aug. 6, 2013
A smart, savvy portrait of arguably the country’s most important publisher.
A thorough study of the gold standard in American literary publishing, complete with sex, sour editors and the occasional stumble into financial success.
Farrar, Straus and Giroux has corralled some of the most prominent names in literature since it was founded in 1945, from Isaac Bashevis Singer to Susan Sontag to Philip Roth to Jeffrey Eugenides. As New York contributing editor Kachka makes clear in this generally lively history, little of its success came easy: If weak-selling books weren’t the problem, personality clashes within the office were. The core of the story is Roger Straus, who championed some of the publisher’s biggest names throughout the years, including Tom Wolfe, whose fiction and nonfiction defined a generation of writing, though his delayed manuscripts put the company under financial strain. (His 1979 classic on the space program, The Right Stuff, appeared in FSG’s catalog for years.) Some intramural tussles among editors read like insider baseball, but Kachka’s recollections of FSG’s struggle with independence (it sold to the German firm Holtzbrinck in 1994) and the modern era of big-money agents give a smart and informative portrait of the mechanisms of modern publishing. Roger Straus (who died in 2004) was a complicated man fit for this tale: He bedded plenty of women, was notoriously stingy, and engaged in an extended push and pull with his son, Roger Straus III, who’d spend time in and out of the company. Kachka extends the story into the present day, where, under the leadership of Jonathan Galassi, novelists like Eugenides and Jonathan Franzen preserve the publisher’s high-art sensibility while struggling to make ends meet. But Kachka wants to remind us that it’s always been thus: FSG was forever saved from failure by the big hit that cannily merged literary and commercial.
A smart, savvy portrait of arguably the country’s most important publisher.Pub Date: Aug. 6, 2013
ISBN: 978-1-4516-9189-4
Page Count: 400
Publisher: Simon & Schuster
Review Posted Online: April 15, 2013
Kirkus Reviews Issue: May 1, 2013
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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