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ROUGH JUSTICE

A slow-burning tale of vigilante justice leading to a satisfying ending that relies equally on convenient coincidence and...

The creator of sleuthing farmer Virgil Cain (Shoot the Dog, 2013, etc.) launches a new series that tosses a hard-used rape victim and her father into a sea of civic corruption in small-town Ontario.

Kate Burns won’t be the only person taking the stand against Joseph Sanderson III, who served as mayor of Rose City for so long that he’s still called The Mayor. Prosecutor Thomas Grant plans to call Maria Secord, Debra Williams, and Amanda Long to tell how The Mayor raped them when they were teenagers, half a lifetime ago. But Miles Browning, the defendant’s lawyer, earns his million-dollar fee by making mincemeat of the other complainants, and when Kate has her day in court, it’s not her best day either. The Mayor walks, leaving his victims with no redress. Kate can’t even accept the comfort of her family; her mother, Suzy, died of an overdose years ago, and she was estranged from her father even before that. It doesn’t help Kate that Carl Burns has returned to town after a stretch in prison for setting a fire that claimed a man’s life. Carl’s not the type to beg for his daughter’s forgiveness. But he is the type to lend a hand to Suzy’s sister, Frances Rourke, an organic farmer who’s battling a factory-farm importer and a toxic landfill proposed by city councilor Bud Stephens and Hank Hofferman, the pig farmer whose half-built barn Carl had torched. Wouldn’t it be nice if The Mayor had a hand in this latest round of skullduggery as well so that father and daughter could fight common enemies and not each other?

A slow-burning tale of vigilante justice leading to a satisfying ending that relies equally on convenient coincidence and the audience’s wishes.

Pub Date: Feb. 1, 2016

ISBN: 978-0-7278-8560-9

Page Count: 256

Publisher: Severn House

Review Posted Online: Nov. 18, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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THE BLACK ASCOT

Although the pace of this intricate tale is necessarily slow, the investigation and its ultimate destination are gripping.

An investigation into an 11-year-old murder unearths some surprising revelations in Inspector Ian Rutledge’s 21st case (The Gate Keeper, 2018, etc.).

Rutledge survived World War I shellshocked and living with the ghostly voice of Hamish, a comrade who died in his arms. When he helps a former soldier find his wife, the grateful man gives him a tip that might help Rutledge find one of the most wanted men in Britain, Alan Barrington, who was accused of murder over a decade earlier and hasn't been seen since. Rutledge's boss gives him the unwelcome job of following up the clue, which begins the inspector's unrelenting search for the truth. Barrington had been accused of engineering a motor crash that killed Blanche Thorne and gravely injured her second husband, Harold Fletcher-Munro. Barrington had been positive that Fletcher-Munro drove Barrington’s friend Mark Thorne to financial ruin and suicide so he could marry Blanche. Rutledge starts out by investigating Barrington’s friends, including his lawyer and estate agent, both of whom have known him for years. When each refuses to confirm or deny that he’s still alive, Rutledge begins to consider the possibility that Mark Thorne did not commit suicide but was murdered by one of the several men who wanted Blanche. Conversations with friends and relatives of the parties involved with Blanche reveal many conflicting opinions. Each snippet Rutledge gleans leads him deeper into a complex maze, but he never considers giving up even when his own wartime demons come to the fore.

Although the pace of this intricate tale is necessarily slow, the investigation and its ultimate destination are gripping.

Pub Date: Feb. 5, 2019

ISBN: 978-0-06-267874-4

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 12, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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GHOSTS OF HARVARD

A thriller that fails when it turns to the supernatural.

A Harvard freshman investigates the suicide of her schizophrenic brother and finds herself chasing a conspiracy and hearing the voices of the dead.

Cady Archer is determined to attend Harvard even though her beloved older brother, Eric, killed himself there. Considered a genius in math and science, Eric suffered from schizophrenia but had stopped taking his prescriptions, and his yearlong mental health spiral into paranoia and delusion still haunts Cady and her parents. Cady is attending Harvard against her mother’s wishes, but she’s driven by a need to understand what happened the night Eric died. Her quest leads her to a handsome, seductive friend of Eric’s, the professor with whom he was working on a secret project, and something more troubling: voices in her head. Is Cady suffering from schizophrenia, too? Or are the voices she’s hearing truly ghosts, real people who once lived on the Harvard campus and faced their own dilemmas there? The question of Cady’s mental health is interesting, and Serritella—best known for the essay collections she writes with her mother, thriller writer Lisa Scottoline (I See Life Through Rosé-Colored Glasses, 2018, etc.)—brings the famous campus to life in a vivid way. She also effectively explores the aftermath of loss and grief on a family. But Serritella is on shaky ground once the story veers into the supernatural. Cady’s conversations with the ghosts are tiresome and ultimately don’t add much to the narrative. In fact, they detract from what could have been a solid psychological thriller. Her conversations with Bilhah, a slave who is terrified her son will be sold away from her, feel uncomfortably like pandering. The book is repetitive and far too long, and though the endgame strives to shock readers with twists, it's ultimately unsatisfying.

A thriller that fails when it turns to the supernatural.

Pub Date: May 5, 2020

ISBN: 978-0-525-51036-9

Page Count: 480

Publisher: Random House

Review Posted Online: Feb. 8, 2020

Kirkus Reviews Issue: March 1, 2020

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