Can a book that's languidly paced and discursive also be a joy? Yes.
A novel about the power of music for a misfit teen in 1980s small-town Minnesota—like a more rueful, meditative High Fidelity.
It's 1999, and Matt Carnap is back in his dying hometown, living in the apartment his uncle has created for him in the press box of a disused municipal football stadium. Matt is spinning his wheels, wandering downtown to catalog its ruins and reminiscing about what he now considers his golden age—the tween years, when his mom (now dead) was married to Russ, a charming, unambitious record collector who spent his time and passion DJing in the roller rink he owned. Matt's mother was distant, even neglectful, and the marriage was never hardy, but she couldn't fail to see the value in the alliance her awkward boy, suffering from attention-deficit issues and a lifelong, horrendous case of insomnia, forged with his stepfather around rock and funk and skating. Eventually she took up with another man, a nightmarish theater and music teacher/blowhard in a nearby town, and Matt had to move with her into what seemed wretched exile. The rink closed, and Russ took up the itinerant life of the DJ who insists on naming his own tunes. In the years since, Matt's lost track of Russ, and part of the impetus for moving back is the hope of reconnection. This novel has several features that sound fatal: It's relentlessly inward (the insular Matt rarely engages with anyone), backward-looking (about 90% flashback), with minimal plot; the tone is nostalgic, even in the end a little hokey; long sections consist largely of playlists of cool music of the 1970s and '80s. And yet it's a pleasure: smart, with lots of sentence-level snap, and with much to say about the way that music—really any of life's animating pleasures and passions, but especially music, for a lonely child of late-20th-century America—becomes not merely a backdrop or soundtrack, but the thread along which one strings a life.
Can a book that's languidly paced and discursive also be a joy? Yes.Pub Date: July 12, 2022
ISBN: 978-1-56689-639-9
Page Count: 328
Publisher: Coffee House
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An enjoyable visit with an old character, but not one of Ware’s strongest.
Travel writer Lo Blacklock is back. Ten years after the events of The Woman in Cabin 10 (2016), she's attending the opening of a lavish Swiss hotel when, once again, a mystery intervenes.
A decade after she almost died on a luxury cruise and ended up exposing a murder plot, travel journalist Laura “Lo” Blacklock is trying to get back into the business post-Covid-19 and post–maternity leave. When she's invited to an exclusive hotel launch by the Leidmann Group on the shores of Switzerland’s gorgeous Lake Geneva, her supportive husband, Judah, insists that she should go, and her old boss, Rowan, says that if Lo can score an interview with the reclusive Marcus Leidmann, she’ll publish it in the Financial Times. Leaving Judah and the kids at home in New York, Lo is surprised by a last-minute upgrade to first class, which kicks off her trip in style. The hotel is appropriately awe-inspiring in both scenic location and effortless luxury, and Lo starts to put the memories of last trip’s trauma behind her, thinking that maybe she can just enjoy the experience this time. But then, at dinner, she's surprised to see at least three guests who were also on that original cruise, and when she finds a mysterious note in her room saying "Please come to suite 11 as soon as possible," she gets another shock. To quote William Faulkner, she realizes that “the past is never dead,” and soon Lo is careening across Europe on her way to England, only to find herself embroiled in another murder. The back half of the novel offers her the opportunity to continue her amateur sleuthing, and while she avoids much of the physical danger that plagued her on the cruise a decade ago, she is in very real legal trouble. This is the prolific Ware’s first sequel, and it's fun to spend time with Lo again, as she's both savvy and kindhearted. Unfortunately, the mystery is not as atmospheric and gripping as usual for Ware, though even a lesser Ruth Ware thriller is still worth reading.
An enjoyable visit with an old character, but not one of Ware’s strongest.Pub Date: July 8, 2025
ISBN: 9781668025628
Page Count: 400
Publisher: Scout Press/Simon & Schuster
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
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