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The Gambit

A briskly paced thriller that deftly imagines a nightmare scenario.

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A debut political thriller that pits Israeli and U.S. military forces against an Iranian government on the verge of obtaining a nuclear weapon.

As the United States attempts to neutralize Iran’s march toward nuclear capability with economic sanctions and diplomacy, a battle-hardened Israeli government takes a more aggressive tactical approach. It deploys a devastating computer virus, assassinates key Iranian nuclear scientists, and prepares to relocate its top source of insider intelligence, Dr. Ali Bagheri Kani, the deputy secretary of Iran’s Supreme National Security Council, to Israel by staging a fake assassination. The operation is conducted by an elite Israeli unit, the Sayeret Matkal, which answers to Gen. Tamir Pardo, the head of the Israeli intelligence agency, Mossad. American Col. Thomas “Stonewall” Jackson is recruited to join the team; he’s a decorated Special Forces soldier attached to the CIA who has a doctorate in Persian studies. After Bagheri is successfully extricated from Iran, he confirms the Israelis’ worst fears: Iran is considerably closer to a nuclear weapon than they thought. Israeli authorities decide to stage a daring attack on several Iranian nuclear facilities, and alert the United States so that its Navy can prepare for battle in the Strait of Hormuz. Meanwhile, the Iranians, who’ve prepared for years for such an eventuality, initiate a bold response, designed to exploit America’s domestic vulnerabilities. Author Carlson’s plotline is as chilling as it is gripping; his brand of cynical realism has a level of plausibility that’s both impressive and disturbing. There’s no shortage of skillfully rendered military action, and Carlson’s meticulous research into the military and political aspects of his subject matter is extraordinary. Jackson, as a character, sometimes seems overly picturesque: he’s handsome, athletically fit, endlessly brave, charming, hyper-educated—and still impossibly modest, despite it all. One of the highlights of the novel, though, is its depiction of the Iranian side, as it ably articulates their zealotry without robbing them of humanity. For example, Carlson pithily captures the moral psychology of an Iranian colonel: “He was not a killer, as such, and did not enjoy killing merely for the sake of killing. No, Rafsanjani wanted to punish America as a whole.” This is an exciting debut effort that’s certain to interest readers with a taste for contemporary political intrigue.

A briskly paced thriller that deftly imagines a nightmare scenario.

Pub Date: N/A

ISBN: 978-0-9982594-9-9

Page Count: -

Publisher: Dog Ear Publisher

Review Posted Online: Sept. 23, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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