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CULVER CITY

An authentic, potent, and unsettling blend of yearning adolescence and magic turned sour.

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In this YA novel, two teenage boys sneak onto a film studio backlot and encounter ghostly manifestations of characters from the movie Gone With the Wind.

Fourteen-year-old Cassady and 15-year-old Kyle live in Culver City, California. They hang out together all the time—smoking weed and fantasizing about girls—but what truly cements their friendship is their shared love of MGM’s Backlot 2 studio, a fenced-off wonderland of abandoned film sets. Throughout 1969, Kyle and Cassady sneak onto the backlot and use it for their make-believe adventures. But one night in 1970, the game changes. The friends find themselves enveloped by a supernatural blue haze (“the Sift”) and, within it, meet Scarlett and Ashley, spirit amalgamations of the film characters Scarlett O’Hara and Ashley Wilkes and the actors, now deceased, who played them. The Sift brings to life a cornucopia of movie and television settings and stars. Cassady and Kyle are invited to stay. But as Kyle begins to fall for Scarlett, Cassady catches glimpses of something evil lurking behind the facade. Is the Sift truly a gift, or will it grab hold with demonic claws and tear them apart? Vickers writes in the third person, past tense, from Cassady’s viewpoint. The prose style is unaffected, capturing the spirit of the late ’60s and early ’70s and teenage life in Culver City at that time. As characters, Kyle and Cassady may speak more to nostalgic older readers than young adults, but they are well portrayed—starting as nigh interchangeable protagonists yet reacting differently to the Sift and finding their own sense of self. Indeed, the story serves admirably as a coming-of-age parable, and the speculative element allows for a mix of historical perspectives (’70s teens looking back at actors/characters from the ’30s reflecting 1860s values). The book starts slowly but gains momentum and will pull readers in as the stakes rise. The only impediment to effective storytelling is a dialogue style that often loses itself in disclosures aimed primarily at readers. At one point, Kyle observes: “On one hand everything looks normal, but there’s an undercurrent of weirdness in the air that I can’t put my finger on.” Nevertheless, Vickers lends a gritty realism to the fantasy, leading to an unexpected and powerful ending.

An authentic, potent, and unsettling blend of yearning adolescence and magic turned sour.

Pub Date: Sept. 27, 2022

ISBN: 978-1-63988-547-3

Page Count: 316

Publisher: Atmosphere Press

Review Posted Online: Dec. 1, 2022

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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THE CHANGING MAN

A descriptive and atmospheric paranormal social thriller that could be a bit tighter.

After a Nigerian British girl goes off to an exclusive boarding school that seems to prey on less-privileged students, she discovers there might be some truth behind an urban legend.

Ife Adebola joins the Urban Achievers scholarship program at pricey, high-pressure Nithercott School, arriving shortly after a student called Leon mysteriously disappeared. Gossip says he’s a victim of the glowing-eyed Changing Man who targets the lonely, leaving them changed. Ife doesn’t believe in the myth, but amid the stresses of Nithercott’s competitive, privileged, majority-white environment, where she is constantly reminded of her state school background, she does miss her friends and family. When Malika, a fellow Black scholarship student, disappears and then returns, acting strangely devoid of personality, Ife worries the Changing Man is real—and that she’s next. Ife joins forces with classmate Bijal and Benny, Leon’s younger brother, to uncover the truth about who the Changing Man is and what he wants. Culminating in a detailed, gory, and extended climactic battle, this verbose thriller tempts readers with a nefarious mystery involving racial and class-based violence but never quite lives up to its potential and peters out thematically by its explosive finale. However, this debut offers highly visually evocative and eerie descriptions of characters and events and will appeal to fans of creature horror, social commentary, and dark academia.

A descriptive and atmospheric paranormal social thriller that could be a bit tighter. (Thriller. 14-18)

Pub Date: Sept. 26, 2023

ISBN: 9781250868138

Page Count: 384

Publisher: Feiwel & Friends

Review Posted Online: June 8, 2023

Kirkus Reviews Issue: July 1, 2023

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