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MUSIC THROUGH THE DARK

A TALE OF SURVIVAL IN CAMBODIA

Despite the nightmarish undertones of violence and despair, a nimble, probing, memorable story that ought not be overlooked...

A remarkable as-told-to memoir of survival, combining frequent reveries regarding the fragile beauty and traditions of Cambodia with an often horrifying narrative of the genocidal reign of the Khmer Rouge.

Relief worker Lafreniere indicates in her prefatory note that this book evolved as “a literary account of a personal experience told by one person and written by another.” She first met Daran Kravanh, a Cambodian refugee, in 1992 at the Refugee Assistance Program of Tacoma, Washington. Her account of Kravanh’s sufferings and exile sacrifices neither immediacy nor authenticity in its telling; Lafreniere’s clean prose captures the lilt and fragility of Kravanh’s voice. Their collaborative prose is graceful and clear, firmly anchored to an enduring cultural history reliant upon an abundance of natural spiritual metaphors, Buddhist roots, and the prominence of familial roles in determining larger social bonds. It is perhaps partly on account of the very gentleness of the Cambodian people (a trait reflected in the voice of Kravanh’s narrative) that the Khmer Rouge were able to come to power in the first place. Though the nature of their regime is well known, Kravanh is able to offer fresh perspectives, tracing how the faction broadened its reach gradually and insidiously during the early years of its rise, and he even arrives at difficult insights regarding his countrymen’s susceptibility to this particular evil. The tale of Kravanh’s endurance is not pretty: over the years, he is shifted between various communal projects where hunger is enforced and infractions against Angkar (the Khmer state) bring summary execution, and he eventually loses most of his family (beginning with his father, a highly regarded police official) to the bloodthirsty regime. His survival comes through startling, seemingly foreordained means: early on he finds an abandoned accordion (an instrument he had learned to play as a child), and he is frequently saved from execution or otherwise rewarded by Khmer soldiers who wish to hear him play. This provides a subtle commentary on the loneliness and need underlying the most bestial of human impulses.

Despite the nightmarish undertones of violence and despair, a nimble, probing, memorable story that ought not be overlooked among recently published, higher-profile Khmer-era Cambodian narratives.

Pub Date: July 1, 2000

ISBN: 0-8248-2227-7

Page Count: 176

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2000

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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