Well-executed and long overdue.
White people don’t need to have “The Talk” about how to survive racism—they need to have a different talk about taking responsibility for and trying to change it.
Jason Reynolds introduces this informal memoir about young adult author Kiely’s experiences of Whiteness, which also serves as a call to action for White people to make similar reckonings. With humility and feeling, Kiely narrates his growing understanding of White privilege: that “what we’ve earned often comes at the expense of other people not being able to earn it as easily.” He mixes pithy anecdotes from his own life with trenchant statistics and historical context that make clear the huge extent to which people in power have “legalized, institutionalized, and systematized racism in America.” One section lays out all the opportunities Kiely’s White grandfather had to build wealth for his family, starting with the GI Bill, alongside all the ways these opportunities were denied to veterans of the Global Majority (a phrase he credits learning from Tiffany Jewell’s This Book Is Anti-Racist). His personal stories are equally demonstrative: When teenage Kiely was pulled over for reckless speeding, the police officer let him off with caring, paternal instructions to “go home, be safe, and keep your friends safe.” Kiely doesn’t mince words when it comes to accountability, but his conversational tone invites readers to grow with him.
Well-executed and long overdue. (author's note, endnotes, bibliography) (Nonfiction. 12-18)Pub Date: Sept. 21, 2021
ISBN: 978-1-5344-9404-6
Page Count: 224
Publisher: Caitlyn Dlouhy/Atheneum
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
A powerful reminder of a history that is all too timely today.
A beautifully heart-wrenching graphic-novel adaptation of actor and activist Takei’s (Lions and Tigers and Bears, 2013, etc.) childhood experience of incarceration in a World War II camp for Japanese Americans.
Takei had not yet started school when he, his parents, and his younger siblings were forced to leave their home and report to the Santa Anita Racetrack for “processing and removal” due to President Franklin D. Roosevelt’s Executive Order 9066. The creators smoothly and cleverly embed the historical context within which Takei’s family’s story takes place, allowing readers to simultaneously experience the daily humiliations that they suffered in the camps while providing readers with a broader understanding of the federal legislation, lawsuits, and actions which led to and maintained this injustice. The heroes who fought against this and provided support to and within the Japanese American community, such as Fred Korematsu, the 442nd Regiment, Herbert Nicholson, and the ACLU’s Wayne Collins, are also highlighted, but the focus always remains on the many sacrifices that Takei’s parents made to ensure the safety and survival of their family while shielding their children from knowing the depths of the hatred they faced and danger they were in. The creators also highlight the dangerous parallels between the hate speech, stereotyping, and legislation used against Japanese Americans and the trajectory of current events. Delicate grayscale illustrations effectively convey the intense emotions and the stark living conditions.
A powerful reminder of a history that is all too timely today. (Graphic memoir. 14-adult)Pub Date: July 16, 2019
ISBN: 978-1-60309-450-4
Page Count: 208
Publisher: Top Shelf Books
Review Posted Online: Aug. 4, 2019
BOOK REVIEW
This deeply personal and boldly political offering inspires and ignites.
Curator, author, and activist Drew shares her journey as an artist and the lessons she has learned along the way.
Drew uses her own story to show how deeply intertwined activism and the arts can be. Her choices in college were largely overshadowed by financial need, but a paid summer internship at the Studio Museum in Harlem became a formative experience that led her to major in art history. The black artists who got her interested in the field were conspicuously absent in the college curriculum, however, as was faculty support, so she turned her frustration into action by starting her own blog to boost the work of black artists. After college, Drew’s work in several arts organizations, including the Metropolitan Museum of Art in New York City, only deepened her commitment to making the art world more accessible to people of color and other marginalized groups, such as people with disabilities, and widening the scope of who is welcomed there. Drew narrates deeply personal experiences of frustration, triumph, progress, learning, and sometimes-uncomfortable growth in a conversational tone that draws readers in, showing how her specific lens enabled her to accomplish the work she has done but ultimately inviting readers to add their own contributions, however small, to both art and protest.
This deeply personal and boldly political offering inspires and ignites. (Nonfiction. 12-18)Pub Date: June 2, 2020
ISBN: 978-0-593-09518-8
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
BOOK REVIEW
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