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WELCOME TO DUNDER MIFFLIN

THE ULTIMATE ORAL HISTORY OF THE OFFICE

A true insider’s guide filled with sweet surprises for fans and the brainy charm to make new ones.

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A comprehensive view of the landmark TV show.

Don’t be fooled by Baumgartner’s character on The Office, the lovable oaf Kevin Malone. This definitive oral history he created with executive producer Silverman is as sharp and well crafted as the groundbreaking comedy that inspired it. The American version of The Officemade stars out of those on both sides of the camera. Steve Carell and John Krasinski became A-list celebrities, while creator and showrunner Greg Daniels has developed hits like Parks and Recreation. Baumgartner gets all of them, as well as nearly everyone else involved with the show, to talk about how it came together and why it became such an enduring success. (Notably absent from the discussions are writers/actors Mindy Kaling and B.J. Novak.) Because he was a part of the process, Baumgartner is able to steer the conversations in well-informed ways—e.g., explaining why the ratings were even more important than usual to the experimental show and why they dictated NBC’s approvals of only a handful episodes at a time in the early years. Because Baumgartner’s Kevin was not the fake documentary’s central character (Carell’s awkward regional manager Michael Scott) or part of the love story (Krasinski’s Jim and Jenna Fischer’s Pam) at its core, he is able to observe more of the big picture than those in the eye of the publicity storm. He and Silverman also do a great job showing how shifting viewing habits—especially The Office’s stunning popularity on iTunes and now in reruns on streaming services—pushed it to new levels of popularity. Comedy is rarely simple, but the authors show how complex it was to make such a forward-thinking product. The contributors discuss their wide-ranging influences, including Molière, Aristophanes’ The Frogs, the visual style of Survivor, and the comedic timing of King of the Hill. They also discuss the agonizing decision-making processes behind the show’s major moments.

A true insider’s guide filled with sweet surprises for fans and the brainy charm to make new ones.

Pub Date: Nov. 16, 2021

ISBN: 978-0-06-308219-9

Page Count: 352

Publisher: Custom House/Morrow

Review Posted Online: Sept. 14, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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