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OUR GLOBAL CRISIS

“WE’LL NEVER RUN OUT!”

A dense but engaging examination of human nature and its implications for the future.

A broad overview of the challenges facing humanity and the changes needed to meet them.

McLean opens his hefty nonfiction debut with a stark and deceptively simple question: Can humans, who are completely dominant on the planet, actually change not only the patterns of their society, but their very nature? It’s an age-old situation—people get so caught up in the pressing business of their own lives and jobs, the author notes, that they overlook the bigger picture. As the book’s subtitle indicates, people have always reflexively thought of the natural world as infinite and inexhaustible. McLean’s narrative looks at complex civilizations from the past, with a special emphasis on the Rapanui people of Easter Island (where “lack of care and management of the island’s resources led to the catastrophic failure of their socioeconomic system and the eventual collapse of their society”), inquiring into how those civilizations grew, flourished, and then failed, in part or in whole due to their heedlessly exploitative behaviors. Those behaviors, the author asserts, are hard-wired into the human evolutionary nature, which is focused on the present and the local at the expense of the future and the universal. “We have evolved to consider little beyond the confines of our mind’s eye,” he writes, “and what we think may impact our lives or the lives of our children and grandchildren.” Drawing on his case studies, McLean contends that “evolution never provided an off-switch” for humans’ survival-driven competitive nature, but he also details the advances that have been made in spite of these instincts, everything from increases in human rights to the greater accessibility of urban planning and design.

McLean’s chapters are well paced, and his prose, though sometimes wordy, is forceful. On some subjects, the author’s determination to see things from a global and historical perspective can skew his accounts of actual events. Discussing the Covid-19 pandemic, for instance, he writes that the United States, with its wealth, technology, and medical achievements, should have been “a pillar of hope and strength for humanity,” but the U.S. failed to rise to the challenge due to “the ongoing bickering between the two national parties,” which “greatly impacted the nation’s ability to deal with the pandemic crisis.” This reading of the crisis feels off: only one of those two parties promoted vaccine skepticism, and it was the leader of that party who knowingly lied about the severity of the virus and publicly suggested it could be countered by ingesting bleach. While the fact that, sometimes, problems really do have local causes is a persistent blind spot in McLean’s narrative, the bulk of the text is both insightful and challenging. In a semi-ironic twist, he actually cites the world’s response to Covid-19 as a cause for hope that humanity does have the potential to pull together to face global challenges on a global scale. “We, as a species,” he maintains, “are making progress, with a great many advances on many fronts, including the environment and social justice.” The author’s willingness to explore his ideas about human collective action across a wide variety of subjects, from warfare to developments in human longevity, imbues his book with a universal perspective that many readers will find intensely thought-provoking…and maybe a bit encouraging.

A dense but engaging examination of human nature and its implications for the future.

Pub Date: Sept. 28, 2024

ISBN: 9780993607202

Page Count: 612

Publisher: Tellwell Talent

Review Posted Online: Jan. 17, 2025

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HISTORY MATTERS

A pleasure for fans of old-school historical narratives.

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Avuncular observations on matters historical from the late popularizer of the past.

McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”

A pleasure for fans of old-school historical narratives.

Pub Date: Sept. 16, 2025

ISBN: 9781668098998

Page Count: 208

Publisher: Simon & Schuster

Review Posted Online: June 26, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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