If you can look past some wild improbabilities, no one makes the pages turn faster than Freeman.
Freeman, who usually develops franchise characters over an arc of several books, offers a prequel to the stand-alone The Deep, Deep Snow (2020).
Starting her story a year before the daughter she’s addressing was born, Deputy Rebecca Colder, of Black Wolf County, makes it clear from the get-go that her explanation of how she came to abandon baby Shelby will pull no punches. As if to prove her point, she begins with the discovery of missing corporate attorney Gordon Brink tied to a bed, stabbed, and flayed to death. Since Brink was leading the defense in the harassment suit Sandra Thoreau and other female employees had lodged against the Langford copper mine, opinions about him already ran high in tiny Random, Wisconsin, before the discovery. But what particularly dismays Rebecca and her partner and mentor, Darrell Curtis, is the note found with the corpse—“I am the Ursulina”—which links this killing to a pair of equally ghoulish murders six years ago that Darrell worked but didn’t solve. Has the figure who’s based this label on local legends about predatory wild bears come back for another round of homicide, or is Brink’s murder the work of a copycat who’s drawn on the abundant publicity provided by second-string SF actor Ben Malloy, who rode the earlier killings to a second career through his book The Ursulina Murders and his TV series Ben Malloy Discovers? More urgently, what recourse can Rebecca take when Deputy Ajax Jackson’s insistent pursuit of her blows up her marriage to Ricky Todd, who was fired from his job at the Langford mine two years ago?
If you can look past some wild improbabilities, no one makes the pages turn faster than Freeman.Pub Date: Feb. 1, 2022
ISBN: 978-1-66510-969-7
Page Count: 300
Publisher: Blackstone
Review Posted Online: Dec. 20, 2021
Kirkus Reviews Issue: Dec. 15, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.
Character assassination reigns supreme, if not uncontested, in a Long Island suburb.
April Masterson loves her husband, corporate attorney Elliott; their 7-year-old, Bobby; and her YouTube channel, “April’s Sweet Secrets.” What she doesn’t love is whoever’s texting her warnings about how Bobby isn’t really in their backyard while she’s busy filming her videos or withering critiques of her baking show or veiled accusations about her past and threats about her present. Her best friend, former prosecutor Julie Bressler, may be bossy and opinionated, but surely she’d never turn on April this way. Who else might know enough to send April goodies like a picture of her kissing Mark Tanner, Bobby’s soccer coach? Though April struggles to get Elliot to take her ordeal seriously, even when she shows up at his office for a lunch date, he’s protected by his receptionist, Brianna Anderson, whose attachment to her boss goes far beyond loyalty. Then Julie turns on her; Maria Cooper, her friendly new next-door neighbor, turns on her; and in the most mind-boggling scene, Doris Kirkland, April’s mother, whose dementia has brought her to a nursing home, turns on her. McFadden releases an escalating series of toxins so deftly into the suburban atmosphere that it’s practically an anticlimax when someone gets killed and April instantly becomes the prime suspect. But that’s only a setup for the tale’s boldest move: switching its narrator from April to a fair-weather friend who frames the whole nightmare in dramatically different terms. As a special gift to her savviest fans, the author throws in an even more jolting epilogue that’s as hard to forget as it is to believe.
Recommended reading for every paranoid suburbanite who’s considering a move to the city, or to the Arctic wilds.Pub Date: March 3, 2026
ISBN: 9781464249600
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: Dec. 6, 2025
Kirkus Reviews Issue: Jan. 15, 2026
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
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