by Brian Heinz ; illustrated by Randall Enos ‧ RELEASE DATE: Aug. 19, 2014
A tour de force of design, story and illustration.
This eye-catching picture book presents the history of the legendary sperm whale behind the Herman Melville classic.
The sperm whale Mocha Dick was first sighted in 1810 off the coast of Chile, and over the course of almost 50 years, he waged over 100 battles with whalers. Sailors referred to him as “the White Whale of the Pacific.” Mocha Dick’s legendary status sprang from his behavior as the hunter, rather than the hunted. He attacked whaleboats and whaling ships, and when he was finally killed, he had the rusting heads of 19 harpoons in his body. This engrossing tale—told with an expert succinctness by Heinz—avoids the tendency to romanticize 19th-century whaling and instead tells a plain-speaking story of a whale fighting for its life and its right to live. Enos pairs the crisp words with distinctive illustrations reminiscent of scrimshaw blended with primitive woodcuts, giving the story an old-fashioned (but not nostalgic), nautical feel. In its overall design, the book manages to inflect what often looks like a 19th-century sensational newspaper story with a more modern sensibility of empathy for hunted whales. In doing this, it has achieved that goal of all good picture books—an entity far greater than its parts.
A tour de force of design, story and illustration. (Picture book. 5-10)Pub Date: Aug. 19, 2014
ISBN: 978-1-56846-242-4
Page Count: 32
Publisher: Creative Editions/Creative Company
Review Posted Online: June 3, 2014
Kirkus Reviews Issue: June 15, 2014
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by Shane W. Evans & illustrated by Shane W. Evans ‧ RELEASE DATE: Jan. 18, 2011
Powerfully expressive imagery will sweep young viewers into this suspenseful journey along the Underground Railroad. Accompanied by a commentary of, usually, just two or three words per spread, the scenes track a small group of escapees stealing through darkness beneath a thin crescent moon. They are seen running, crawling, resting tensely, taking brief shelter with “new friends,” then wearily keeping on until sunrise at last brings them to their goal: “I am free. He is free. She is free. We are free.” Underscoring the sense of fear and urgency with broad, slanted strokes of thinly applied paint, Evans limns his hunched, indistinct figures in dark lines and adds weight with scribbled fill and jagged bits of paper or cloth. His palette of midnight-dark blue lit only by the occasional yellow torch- or lantern light and white stars draws attention to the whites of the frightened escapees’ eyes and makes sunlit Freedom all the more precious when attained. Lengthier accounts of travel on the Underground Railroad abound, but few if any portray the experience with such compelling immediacy. (afterword) (Picture book. 5-9)
Pub Date: Jan. 18, 2011
ISBN: 978-1-59643-538-4
Page Count: 32
Publisher: Neal Porter/Roaring Brook
Review Posted Online: Dec. 23, 2010
Kirkus Reviews Issue: Nov. 15, 2010
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by Holly Robinson Peete , R.J. Peete & Shane W. Evans ; illustrated by Shane W. Evans
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by Nan Richardson & illustrated by Alexandra Young ‧ RELEASE DATE: April 1, 2011
This unusual presentation of a tale of class-crossed lovers recounts a true 18th-century Russian romance. Nicolas Cheremeteff, the richest man in the land, loves music more than gold. He travels the world to hear the finest performers, but it is Praskovia, a peasant girl working on his estate who captures his heart with her singing. He takes her to his palace, where he teaches her to be a lady and nurtures her singing. Crowned “The Pearl” for her luminous talent, she even sings for the Empress, Catherine the Great. Naturally, Nicolas and Praskovia fall in love and live in a simple cottage. Years go by, and Praskovia still sings like a nightingale, but she’s still a serf and unmarried. Nicolas does the unthinkable and marries her, making her a countess. Their happiness is short-lived, as Praskovia dies after giving birth. Tributes to her remain today. The dramatic story is matched with stylized, theatrical artwork. Vibrant reds, golds and blacks are backlit with broad expanses of white space that frame Praskovia. Heavy, glossy paper adds to the book’s opulence. This historical mesh of "Cinderella" and My Fair Lady is a rich nugget of history for sophisticated readers and as beautiful as a Fabergé egg. (brief author’s note) (Picture book. 7-9)
Pub Date: April 1, 2011
ISBN: 978-1-884167-24-9
Page Count: 32
Publisher: Umbrage
Review Posted Online: April 6, 2011
Kirkus Reviews Issue: March 15, 2011
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