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THE ROOT OF WILD MADDER

CHASING THE HISTORY, MYSTERY, AND LORE OF THE PERSIAN CARPET

Lovely and profound.

AP correspondent Murphy (The New Men, 1997) shares his passion for Persian carpets.

This richly reported homage is, he writes, “a scrapbook from a world that, if not yet vanishing, is certainly under threat”: the world of handmade rugs from Iran and Afghanistan. We open at a Tehran bazaar boasting thousands of carpets, then travel through Heart, past Hafez’s Tomb in Shiraz, and through villages near Hamadan. Murphy seldom falls prey to the temptation to romanticize or Orientalize as he moves from the most remote outposts to Internet cafes in Iran. Along the way, he explains the vocabulary of carpets, the warps and wefts, the symmetric and asymmetric knots. Want to find out if the supposedly silk fringe on your carpet is the real deal? Clip a bit and light it with a match. Silk won’t burn very well; cotton trim smells like paper burning and will hold a flame. Murphy’s discussion of carpets is riveting in its own right, but he ultimately reaches beyond rugs and provides a helpful introduction to a region whose role in geopolitics is unlikely to diminish in the near future. He dips into Sufism and Persian philosophy and poetry. He analyzes the complex gender politics that attend carpet making. In Murphy’s hands, we see that the rugs intersect with a remarkable number of currents: technology, globalization, economics, the Iranian revolution. The author talks to a nomad weaver hired by an Iranian family to weave a copy of a famous carpet; the Iranians will then sell the carpet at a huge markup to a family in Germany. Our naïve narrator asks the nomad if she wouldn’t prefer weaving carpets from her own design and selling them herself. She bites his head off: She needs money, and the Iranians pay her well enough to buy medicine. “We get upset when people think nomads should have different ideas and dreams than those who live on in homes,” she says.

Lovely and profound.

Pub Date: Aug. 1, 2005

ISBN: 0-7432-6419-3

Page Count: 320

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2005

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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