Next book

IN OUR SHOES

ON BEING A YOUNG BLACK WOMAN IN NOT-SO "POST-RACIAL" AMERICA

A commendable, colloquial perspective on a continually fraught topic.

Essays exploring unjust conditions faced by Black women as well as what White people should do to dismantle racism.

“In this part memoir, part cultural critique,” Holt writes, “I have done my best to describe what it means to be a young Black woman navigating ‘post-racial’ America through my memories, recollections, and experiences.” The author, who has worked for BuzzFeed and written for Rolling Stone, the Guardian, and other publications, signed a book deal after her 2020 New York Times op-ed about celebrating Juneteenth went viral. Now 27, she focuses on cultural appropriation in society and especially on social media. “Black women’s style and swag are often stolen and then praised on their white counterparts,” writes the author, “rendering Black women invisible, or worse, denigrated for the very things white people have stolen from them.” Holt posits that “the idea that we live in a post-racial society” may be responsible for the widespread belief that “unity or simple notions of togetherness are solutions to solving racism and creating a more just world for Black people….But that simply isn’t the case.” Drawing from more than 100 sources, including studies, videos, tweets, and interviews she conducted, Holt illustrates insidious examples of how “whiteness often practices self-preservation,” which leads to numerous deleterious effects on Black women. The chapters bear titles such as “Leave the Box Braids for the Black Girls” and “The Road to Healing On- and Offline,” and all close with descriptions of actions necessary for improvement. For example, Holt writes, White women “must self-reflect and acknowledge their own blind spots, while simultaneously counteracting them by making space for, showing up for, and passing along opportunities to Black women.” Holt offers particularly potent critiques of unconscious bias in the workplace and the many flaws inherent in White feminism.

A commendable, colloquial perspective on a continually fraught topic.

Pub Date: April 11, 2023

ISBN: 9780593186398

Page Count: 304

Publisher: Plume

Review Posted Online: Feb. 16, 2023

Kirkus Reviews Issue: March 15, 2023

Awards & Accolades

Likes

  • Readers Vote
  • 119


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

Next book

WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

Awards & Accolades

Likes

  • Readers Vote
  • 119


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller


  • Pulitzer Prize Finalist

A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

Awards & Accolades

Likes

  • Readers Vote
  • 29


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • National Book Award Winner

Next book

ONE DAY, EVERYONE WILL HAVE ALWAYS BEEN AGAINST THIS

A philosophically rich critique of state violence and mass apathy.

Awards & Accolades

Likes

  • Readers Vote
  • 29


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller


  • National Book Award Winner

An Egyptian Canadian journalist writes searchingly of this time of war.

“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-­decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”

A philosophically rich critique of state violence and mass apathy.

Pub Date: Feb. 25, 2025

ISBN: 9780593804148

Page Count: 224

Publisher: Knopf

Review Posted Online: Dec. 14, 2024

Kirkus Reviews Issue: Jan. 15, 2025

Close Quickview