Worth picking up despite the issues.
Predictable hate-becomes-love romance is given new life by an inclusive cast.
After being rejected from nine art schools, Sephardic, bi, “edgy” Amalia needs to buckle down and make better grades senior year to get into a traditional college. (Yes, this makes absolutely no sense, but apparently in this version of reality, art college admissions happen before senior year.) She talks her way into AP psychology and ends up paired with uptight Ezra Holtz, fellow Jew and longtime nonfriend (they have endured synagogue, youth group, and parental attempts to make them friends). Of course, they choose to do a matchmaking experiment (on three refreshingly varied and diverse couples), and, of course, they fall into lust and then love. Sex-positive and frank without being graphic, with characters for whom religion is significant but not the point, this is an unexpectedly now entry in the sometimes-entrenched formula of romance, which makes the flaws—Amalia’s “manic pixie dream girl” past self never feels real despite many references to drinking and smoking pot, the college timeline will make teens in the know laugh, and Ezra is too perfect—forgivable. Many Jewish readers, in particular, will rejoice in seeing themselves and will recognize moments such as Amalia’s doing homework on the High Holy days while reflecting that “kids don’t have to do this crap on Christmas Eve.” One of Ezra’s two dads is trans.
Worth picking up despite the issues. (Romance. 14-adult)Pub Date: June 4, 2019
ISBN: 978-1-5107-4940-5
Page Count: 288
Publisher: Sky Pony Press
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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