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MUSTACHE BABY MEETS HIS MATCH

More a Mustache Toddler now but still getting into hairy situations, Baby Billy's still good fun.

Has Mustache Baby met a buddy...or a rival?

Baby Billy was born with a mustache that’s usually a good-guy mustache but on occasion curls up into a bad-guy mustache. When readers last saw him, he'd met bearded Baby Javier. Billy decides to show Javier how he's the “sharpest shooter in the west” (shooting hoops) and can "work on the railroad all the livelong day" (lay toy train tracks). But Javier knows a thing or two, like how to "wrassle a bear" (a teddy) and catch fish with his bare hands (goldfish crackers). Baby Billy won't be bested, so he challenges Javier to a duel. Javier beats him at magic, math, art...and even in the final showdown (a tricycle race). This, of course, prompts the return of the bad-guy mustache. When Javier produces a bad-guy beard, a wrestling match ensues—and ends in timeout. Billy wanted Javier as a sidekick, but he became a bitter rival; can Baby Billy figure out how to salvage the situation? Heos and Ang's sequel to Mustache Baby (2013) is more arch cuteness. A couple highfalutin references (Dali vs. Van Gogh in the art contest) and big words ("competitiveness") may miss the target audience, but kids will see themselves and their less-successful play dates in Billy and Javier's first meeting. Ang’s cinematic cartoon illustrations are again a joy.

More a Mustache Toddler now but still getting into hairy situations, Baby Billy's still good fun. (Picture book. 3-6)

Pub Date: March 3, 2015

ISBN: 978-0-544-36375-5

Page Count: 40

Publisher: Clarion Books

Review Posted Online: Nov. 10, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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LOVELY

“Lovely is different, weird, and wonderful.” So reads the caption for a white girl with blonde hair and one blue and one...

Beauty is said to be in the eye of the beholder, and this book encourages readers to regard everyone as “lovely.”

In today’s world, with increasingly evident diversity in race, ethnicity, gender expression, sexuality, fashion, body shape, abilities, and choices about everything, the author/illustrator presents people of every description in the bold, brightly colored digital illustrations. Opposites are introduced: “black” for a white young woman clad in black and “white” for a young-looking, brown-skinned woman with flowing white hair. “Simple” appears on a tattooed white arm, along with a few designs, while “complex” is written on a brown arm, with what appear to be elaborate mehndi designs (henna designs applied before a South Asian wedding). A white baby is “soft,” and an older white woman with purple hair, a spiked denim jacket and choker, a nose ornament, and many ear decorations is “sharp.” A “tall” person with Asian features walks a small dog. A “short” smaller, light-brown–skinned male with green hair has a large dog. A gay interracial male couple face an adoring dark-brown–skinned child and mom. These pages read: “Lovely is you. / Lovely is me.” The last double-page spread includes young and old: a white woman in a wheelchair (there is one amputee with a modern prosthetic leg earlier in the book), a goateed man in a bustier, and others of various colors and sizes.

“Lovely is different, weird, and wonderful.” So reads the caption for a white girl with blonde hair and one blue and one brown eye! A simple book with lots of truth. (Picture book. 3-6)

Pub Date: Oct. 1, 2017

ISBN: 978-1-939547-37-8

Page Count: 32

Publisher: Creston

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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I NEED A HUG

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to...

A hug shouldn’t require an instruction manual—but some do.

A porcupine can frighten even the largest animal. In this picture book, a bear and a deer, along with a small rabbit, each run away when they hear eight simple words and their name: “I need a hug. Will you cuddle me,…?” As they flee, each utters a definitive refusal that rhymes with their name. The repetitive structure gives Blabey plenty of opportunities for humor, because every animal responds to the question with an outlandish, pop-eyed expression of panic. But the understated moments are even funnier. Each animal takes a moment to think over the request, and the drawings are nuanced enough that readers can see the creatures react with slowly building anxiety or, sometimes, a glassy stare. These silent reaction shots not only show exquisite comic timing, but they make the rhymes in the text feel pleasingly subtle by delaying the final line in each stanza. The story is a sort of fable about tolerance. It turns out that a porcupine can give a perfectly adequate hug when its quills are flat and relaxed, but no one stays around long enough to find out except for an animal that has its own experiences with intolerance: a snake. It’s an apt, touching moral, but the climax may confuse some readers as they try to figure out the precise mechanics of the embrace.

This is a tremendously moving story, but some people will be moved only on the second reading, after they’ve Googled “How to pet a porcupine.” (Picture book. 3-5)

Pub Date: Jan. 29, 2019

ISBN: 978-1-338-29710-2

Page Count: 32

Publisher: Scholastic

Review Posted Online: Sept. 29, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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