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DON'T SAY ANYTHING TO ANYBODY

A GERMAN WORLD WAR II GIRLHOOD

An affecting portrayal of youthfulness stained by war.

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A woman chronicles her childhood in Germany during and after World War II in this debut memoir. 

When the Nazis invaded Poland in 1939, the members of Yearman’s family knew their lives in Germany would be transformed. Two years later, their town, Kiel, would be regularly bombed by British warplanes. In 1941, the author’s father explained to her that he had no choice but to send her away temporarily—all children between the ages of 6 and 10 living near military targets were compelled to relocate to the countryside. Yearman was sent to Seidel, a small farming village 300 miles east, and she was taken in by Anna Arndt, a kind woman who lived with her parents. The author was 6, attending school for the first time, and was fortunate to avoid the fate of so many of the era’s displaced children, who were exploited for free labor. Yearman’s temporary arrangement became a long-term one, and she fled Seidel with her new family in 1945 to avoid invading Soviet troops, briefly settling in Swinemunde, a Russian-occupied territory that was relatively stable. It was dangerous for her custodians to amble about freely because of the hostile Soviet forces. So Yearman spent much of her time scavenging for their food (“In general, the Russian soldiers had the decency to leave children alone”). The family eventually returned to Seidel, but it was now technically a Polish territory under Soviet rule and became too perilous. Warned by a Russian soldier of German descent of an imminent raid, they fled yet again. In her engrossing book (written with debut author Hanisch), Yearman recalls that she would not return to her father until she was 11, with her mother now dead from diphtheria. The prose artfully combines an unflinchingly honest account of Yearman’s travails with beautifully poetic descriptions. After she watched a ferry that departed from Swinemunde explode from contact with a mine, she observed the wreckage: “A carcass of a cow. I understood that animals died. I knew that. Then I realized, with clarity, that the people on that ferry had died too, just like the shattered cow floating in the water.” Yearman’s remembrance, which features some family photographs, is poignant, filled with vivid details but unembellished by maudlin sentiment. She allows the genuine power of her autobiographical drama to speak for itself. 

An affecting portrayal of youthfulness stained by war.

Pub Date: June 17, 2017

ISBN: 978-0-692-89121-6

Page Count: 304

Publisher: Third Path Press

Review Posted Online: May 31, 2018

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THE SOPRANOS SESSIONS

Essential for fans and the definitive celebration of a show that made history by knowing the rules and breaking every one of...

Everything you ever wanted to know about America’s favorite Mafia serial—and then some.

New York magazine TV critic Seitz (Mad Men Carousel: The Complete Critical Companion, 2015, etc.) and Rolling Stone TV critic Sepinwall (Breaking Bad 101: The Complete Critical Companion, 2017, etc.) gather a decade’s worth of their smart, lively writing about New Jersey’s most infamous crime family. As they note, The Sopranos was first shot in 1997, helmed by master storyteller David Chase, of Northern Exposure and Rockford Files renown, who unveiled his creation at an odd time in which Robert De Niro had just appeared in a film about a Mafioso in therapy. The pilot was “a hybrid slapstick comedy, domestic sitcom, and crime thriller, with dabs of ’70s American New Wave grit. It is high and low art, vulgar and sophisticated.” It barely hinted at what was to come, a classic of darkness and cynicism starring James Gandolfini, an actor “obscure enough that, coupled with the titanic force of his performance, it was easy to view him as always having been Tony Soprano.” Put Gandolfini together with one of the best ensembles and writing crews ever assembled, and it’s small wonder that the show is still remembered, discussed, and considered a classic. Seitz and Sepinwall occasionally go too Freudian (“Tony is a human turd, shat out by a mother who treats her son like shit”), though sometimes to apposite effect: Readers aren’t likely to look at an egg the same way ever again. The authors’ interviews with Chase are endlessly illuminating, though we still won’t ever know what really happened to the Soprano family on that fateful evening in 2007. “It’s not something you just watch,” they write. “It’s something you grapple with, accept, resist, accept again, resist again, then resolve to live with”—which, they add, is “absolutely in character for this show.”

Essential for fans and the definitive celebration of a show that made history by knowing the rules and breaking every one of them.

Pub Date: Jan. 8, 2019

ISBN: 978-1-4197-3494-6

Page Count: 480

Publisher: Abrams

Review Posted Online: Oct. 27, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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MARTIN LUTHER KING, JR. AND THE MARCH ON WASHINGTON

This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)

Pub Date: Jan. 1, 2001

ISBN: 0-448-42421-5

Page Count: 48

Publisher: Grosset & Dunlap

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2000

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