by Britt Minshall ‧ RELEASE DATE: Jan. 1, 2015
Despite its flaws, this book should help readers understand how organizations work, from the smallest nonprofit group to the...
A social psychologist explains how human groups or memes organize and operate, to the detriment and sometimes the benefit of civilization.
Minshall (The Jesus Book, 2012, etc.) describes memes as a “post personal force” that can aid society, but are often “the force behind all human tragedy.” The reason: once people join a meme, they yield their sense of morality to its amorality. Simply “Human Social Constructs,” memes form around a unifying idea or cause but then take on lives of their own. As with all living things, survival becomes paramount. More often destroyed from within rather than by external forces, memes may manufacture enemies to cement loyalty among followers. Minshall describes and dissects different types of memes, including nonprofit groups, government agencies, and corporations. The apparent leaders of memes, such as popes, presidents, and CEOs, seldom hold the real power. Bureaucrats, major stockholders, unions, or wealthy family dynasties typically call the shots. “The Cadre” or “enablers,” such as police and soldiers, enforce the social order, while “The Workers and Doers,” or producers, form the majority of members and accomplish most of the tasks. The lowest rungs include “Marginals,” such as youths and legal aliens, and “Outsiders,” including intruders, migrants, and illegal aliens, who are exploited as they try to gain a foothold. Although individuals may believe they can change the meme by rising to the top, it will either alter or expel them. Why not get rid of memes? Although they cause war and other havoc, memes also create the world’s positive things. Minshall has written a captivating book that can help anyone understand group behavior and why politicians promising change so seldom achieve it. His writing style is free-form and fluid, with touches of humor that sometimes fall flat with weak puns. The volume, littered with weird capitalization, superfluous exclamation points, and spelling mistakes of common as well as proper nouns, such as “Mark Zukerberg,” “Jack Welsh,” and “Julius Cesar,” cries out for a skillful editor and proofreader. It would also bolster Minshall’s case if he backed up his arguments with more footnotes. Like most critiques, this book is long on criticism but short on solutions, which seem in this case to boil down to hoping the United Nations will somehow get memes under control.
Despite its flaws, this book should help readers understand how organizations work, from the smallest nonprofit group to the largest political entity.Pub Date: Jan. 1, 2015
ISBN: 978-0-9642773-7-3
Page Count: 208
Publisher: Renaissance Institute Press
Review Posted Online: July 14, 2016
Review Program: Kirkus Indie
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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