Real and raw and exquisitely well crafted.
A knockout of a second novel from the author of Oola (2017).
Ruth is 27 and adrift when we meet her. She has a master’s degree she doesn’t know what to do with. She’s living in the Mission with her ex-boyfriend, Dino, a ketamine dealer who enjoys wearing women’s lingerie. And she’s dancing at a club where she has assumed the name Baby—not because she has any sort of fully fleshed-out stage persona but, rather, because that’s a thing men call her. Narrating her life in a way that feels aimless but not quite random, she tells the story of how she has arrived at this place. She remembers learning about sex from her more worldly friend Mazzy, a young woman “forever marked by being the first student at her private all-girls school to need a real bra.” Ruth reminisces about past lovers and the substances that shaped their relationships. And she describes the men she meets at work, delineating their needs and appetites with an anthropological detachment that is not without empathy. Dino remains, though, the emotional center of her universe, and when he goes missing, she unravels. Newell writes about sex work and drugs and what people—some people—used to call the demimonde without moralizing or reducing her characters to grim allegories. This book is, among other things, funny and sometimes very sweet, and Newell gives shape to Ruth’s chaotic life with gorgeously precise prose. When she sees the ballet-dancer daughter of a wealthy man with whom she’s having an affair, Ruth thinks, “She was the luckiest girl in the whole wide world and she didn’t even care. She wore her hair up in a bun, her neck cool and pale as a halved pear.” There’s so much longing packed into that handful of words! “The hours swooped and gooped around us like fallen ice-cream cones.” Out of context, this does not seem like a great sentence. But within a swirling mess of metaphors recounting doing ketamine with Dino and falling in love, it approaches the sublime.
Real and raw and exquisitely well crafted.Pub Date: Feb. 4, 2025
ISBN: 9780374613891
Page Count: 352
Publisher: Farrar, Straus and Giroux
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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