Keep sniffing to find a better story; though innocuous, this one is unlikely to be a favorite.
Brock Eastman teams up with his 7-year-old daughter in the family-oriented follow-up to Daddy’s Favorite Sound (2019).
In this tale that’s loosely inspired by a passage from 2 Corinthians about the “pleasing aroma of Christ,” Little Lion catches a whiff of delicious cinnamon rolls fresh from the oven. This sends the anthropomorphic cub, who wears overalls and a T-shirt, on a quest to discover her mother’s favorite smell. Depicted in Miles’ illustrations as variously colored inky emanations, some smells encountered along the way are pleasant, such as the smells of rain, campfire, and fresh-baked chocolate-chip cookies. Others are not and are clearly presented in an attempt to be humorous, as not even a lion is likely to claim dirty diaper, hot compost, or generally odorless tulips among their favorite scents. After encouraging Little Lion to “keep sniffing” throughout the day, Mommy Lion finally gives in while snuggling together with her cub before bed: Her favorite smell is the smell of her children. This lion family inhabits a comfortably appointed home and wears Western clothing (but no shoes). The text is on the long side for a preschool audience, and the repetition of Little Lion’s question and Mommy’s answers, rendered as a rhyming couplet, grows tedious. The scriptural connection is a stretch, a closing prayer a bit trite, and suggested discussion questions tepid, though the recipe for chocolate-chip cookies might tempt some readers.
Keep sniffing to find a better story; though innocuous, this one is unlikely to be a favorite. (Picture book. 3-7)Pub Date: Oct. 1, 2019
ISBN: 978-0-7369-7476-9
Page Count: 32
Publisher: Harvest House
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
BOOK REVIEW
An upbeat holiday tale marred by spotty logic.
An unusual Hanukkah miracle.
On the first night of Hanukkah, Ruthie’s parents give her a pair of holiday-themed “pajamakkahs.” Dad says that she can wear them to the family’s “Hanukkah Pajamakkah Party” on the eighth night. Ruthie wants to wear them “all eight nights.” Mom agrees but tells her to keep them “spotless.” Despite Ruthie’s precautions, she accrues myriad stains as she helps cook latkes, lights the menorah, does arts and crafts, and crashes into a pile of jelly doughnuts. But there are no spots here, says Ruthie—just “streaks,” “splotches,” “sparkles,” and “squishes.” On the final night of Hanukkah, the whole family and even the dog sport pajamakkahs of their own. Mom’s aghast at Ruthie’s pj’s. Dad says it’s a miracle they lasted eight nights, but he sees spots. “Dotted, not spotted,” Ruthie counters. Other, racially diverse, pajama-clad family members arrive. Ruthie twirls the dreidel and, inexplicably, causes a whirlwind, upending latkes, art supplies, and more. Are those spots on Ruthie’s pajamakkahs at last? Finally, Ruthie says, “a Hanukkah miracle!” This thinly plotted, only mildly amusing story is rife with logical holes. Even the youngest readers won’t believe Ruthie’s parents didn’t insist the badly soiled pj’s should get tossed in the washer sooner. It isn’t clear what’s so miraculous about Ruthie’s dirty jammies, and the child’s literalness wears thin. The cheerful, digitally created illustrations feature familiar Hanukkah symbols but are otherwise undistinguished. Ruthie and her immediate family are pale-skinned.
An upbeat holiday tale marred by spotty logic. (Picture book. 4-7)Pub Date: Sept. 3, 2024
ISBN: 9781728284576
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: Aug. 3, 2024
Kirkus Reviews Issue: Sept. 1, 2024
Low-key and gentle; a book to be thankful for.
Spinelli lists many things for which people are thankful.
The pictures tell a pleasing counterpoint to this deceptively simple rhyme. It begins “The waitress is thankful for comfortable shoes. / The local reporter, for interesting news.” The pictures show a little girl playing waitress to her brother, who playacts the reporter. The news gets interesting when the girl trips over the (omnipresent) cat. As the poem continues, the Caucasian children and their parents embody all the different roles and occupations it mentions. The poet is thankful for rhyme and the artist, for light and color, although the girl dancer is not particularly pleased with her brother’s painterly rendition of her visual art. The cozy hotel for the traveler is a tent for the siblings in the backyard, and the grateful chef is their father in the kitchen. Even the pastor (the only character mentioned who is not a family member) is grateful, as he is presented with a posy from the girl, for “God’s loving word.” The line is squiggly and energetic, with pastel color and figures that float over white space or have whole rooms or gardens to roam in. Both children, grateful for morning stories, appear in a double-page spread surrounded by books and stuffed toys as their mother reads to them—an image that begs to be a poster.
Low-key and gentle; a book to be thankful for. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-0-310-00088-4
Page Count: 32
Publisher: Zonderkidz
Review Posted Online: May 17, 2015
Kirkus Reviews Issue: June 15, 2015
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