A celebration of female empowerment and empathy.
How women find support by banding together.
Inspired by the Women’s March of 2017—“the largest single-day protest on American soil”—CNN news anchor Baldwin traveled around the country interviewing women who have found “comfort, strategy, and stamina” from close camaraderie: what the author calls a huddle. “A huddle,” she writes, “is a place where women can become energized by the mere fact of their coexistence.” As a journalist in a male-dominated industry, Baldwin reveals her personal experiences in finding support from female mentors, sponsors, and her own huddle of friends. Women, she discovered, are each other’s “most valuable asset.” Conversations with women—some famous, such as Ava DuVernay, Stacey Abrams, and Gloria Steinem, and many others lesser-known—have convinced Baldwin that a “new, intersectional women’s movement” is thriving. In Houston, for example, she discovered the Black Girl Magic judge huddle, a group comprised of Black women supporting one another in their efforts to attain judgeships: In 2018, an unprecedented 19 were elected. Some of the huddles have had national impact: the #MeToo movement, for one, and Time’s Up, an initiative to raise money and public awareness for combatting sexual assault, harassment, and inequality in the entertainment and other industries. Other huddles emerge from various needs: Girls on the Run, a female-led nonprofit to support runners; Kode with Klossy, a coding camp for teenage girls; Hello Sunshine Filmmaker Lab for Girls, Reese Witherspoon’s project for empowering young aspiring filmmakers; GirlTrek, “America’s largest health movement for Black women”; and “the Badasses,” a text chain among newly elected Congresswomen. Besides huddles, Baldwin celebrates women who dedicate themselves to amplifying women’s stories and lifting up others. “When multiple women command respect,” Baldwin writes, “they provide a foundation for all women to demand respect.” Though the author uncovers little groundbreaking news, the stories are encouraging and often inspiring.
A celebration of female empowerment and empathy.Pub Date: April 6, 2021
ISBN: 978-0-06-301744-3
Page Count: 304
Publisher: Harper Business
Review Posted Online: Jan. 29, 2021
Kirkus Reviews Issue: March 1, 2021
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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