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THE DICTATOR'S HANDBOOK

WHY BAD BEHAVIOR IS ALMOST ALWAYS GOOD POLITICS

Why politics is a matter of gamesmanship, and why the winners are those who understand the rules of the game.

Bueno de Mesquita (The Predictioneer's Game: Using the Logic of Brazen Self-Interest to See and Shape the Future, 2009, etc.) and Smith (Election Timing: Political Institutions and Decisions, 2009, etc.) are both on the faculty at NYU and have collaborated in the past (The Logic of Political Survival, 2003). Their argument rests on the conviction that there is little place for altruism in effective leadership. The rules are simple. One: “politics is about getting and keeping political power. It is not about general welfare.” Two: Dictators who depend on only a few cronies are in the best position as long as they are generous in sharing the spoils. Three: Make sure the cronies know that there is a large pool of potential replacements if they get out of line. Four: Greed is good within limits, but there is always the danger of popular uprising if the economy becomes dysfunctional. Bueno de Mesquita and Smith put it bluntly: “Paying supporters, not good governance or representing the general will, is the essence of ruling,” Although the authors point out that even in democracies bloc voting and redistricting serve the interest of incumbents, and they suggest that the same lessons apply to leaders in the financial world, the book is intended as a guide to how best to conduct foreign policy when dealing with countries that are not democratic. Tyrants become more vulnerable as they get older. However, write the authors, because dictators are cheap to buy, the U.S. government should be wary of regime change in the name of democracy. An unabashed study of the uses and abuses of realpolitik.

 

Pub Date: Sept. 27, 2011

ISBN: 978-1-61039-044-6

Page Count: 336

Publisher: PublicAffairs

Review Posted Online: July 26, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlanticsenior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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