A quicksilver, retro-style space opera packed with zero-gravity thrills.
Daredevil interstellar couriers and Wishbone, their souped-up spaceship, see light years of danger when they agree to escort a witness in a criminal case through hostile hyperspace.
Imagine if, instead of Chewbacca, Han Solo had another partner: Han Solo. That’s the vibe between interstellar couriers Bill Jenkins and Randy Henson, two young, handsome, clever and daring pals self-employed in the galactic delivery business. They’re known for taking especially risky assignments just for the thrill of it. Their ace is a sleek “stellayacht” named Wishbone, tricked out with fancy hyperdrive engines and yottabytes of astronavigational data. But the Wishbone’s latest contract turns out to be more than they bargained for, as the boys must deliver a witness and a dossier of evidence about deep-space corporate violations to a tribunal on the corrupt world of Philcani-Tu. Their three shifty passengers are a wimpy human lawyer, a harsh femme fatale mercenary, and a strange otterlike animal, but a more pressing peril en route comes from outside: A squad of attack ships, also engineered for hyperspace, is light years away but determined to catch up with and destroy the Wishbone. In a narrative that is, essentially, one long space chase, the lead characters and relentless posse resemble the crux of Butch Cassidy and the Sundance Kid. Such is the forward momentum that even the predictable bits breeze past enjoyably, and the tale still takes a few eventful turns after it appears the finish line has been crossed. Despite keeping the tone buoyant with some pulpy slang dialogue—e.g., “my old bucko,” “So who’s minding the store?” “where’s the whatchama-callit?”—and loving references to mid-20th-century movies and 1960 Corvettes, the story avoids careening into camp. In dealing with malicious faster-than-light missiles and other menaces, some of the dynamic duo’s problem-solving skills are worthy of Capt. Solo.
A quicksilver, retro-style space opera packed with zero-gravity thrills.Pub Date: May 8, 2013
ISBN: 978-1484922996
Page Count: 428
Publisher: CreateSpace
Review Posted Online: Dec. 6, 2013
Kirkus Reviews Issue: Jan. 1, 2014
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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