A fine evocation of the NASA experience—in the sky and on Earth.
The sometimes-frustrated, sometimes-exalted life of an astronaut is excavated in this probing biography.
McCandless profiles his father, Bruce McCandless II, an Apollo astronaut who never made it onto a moon shot but later served on a space shuttle mission where he made history’s first untethered spacewalk using the Manned Maneuvering Unit jet pack, becoming famous for an iconic photograph that showed him flying jauntily through space. In the author’s fond but cleareyed assessment, McCandless senior was a daring pilot, a brilliant engineer who did critical work on the MMU and the Hubble Space Telescope, a passionate environmentalist, and a questing soul whose motto was “onward.” He was also an “abrupt, self-absorbed, and prickly” man who was both whip smart and oblivious. (He once surprised his wife by giving her a book entitled Open Marriage for Christmas, “just for consideration.”) The book is also a vivid depiction of a testy father-son relationship pitting senior’s culture of astronauts who “cut their hair short and at precise geometric angles to minimize drag” against junior’s feckless, 1970s counterculture of teens in “greasy hair and grimy jeans…looking for psychedelic mushrooms in the cow manure.” The author’s portrait ably conveys the complexities of an astronaut’s existence: the anxious jockeying for scarce mission slots, the death-defying extremism of rocketry—“it felt like Challenger was going to break apart, and he shut his mouth tight so his stomach wouldn’t fall out”—and the pathos of McCandless senior’s predicament when he seemed eternally stuck in ground assignments that thwarted his drive and talent. (“A man who’d wrestled a Phantom warplane capable of flying 1,200 miles per hour onto the deck of a lurching aircraft carrier in a thunderstorm, at night, was now poking along Highway 183 north of Austin in a barn-size Chevy Suburban with the speedometer pegged on double nickels.”) The author’s colorful prose is shrewdly realistic about space flight but also alive to its lyrical humanism. (“The [photograph’s] oddly serene contrast of a solitary man emerging from the immensity of the universe, small but self-directed…suggests order—a triumph, even if tenuous, against what is dark and immense and essentially incomprehensible.”) The result is an absorbing testament to perseverance in pursuit of empyrean ambition.
A fine evocation of the NASA experience—in the sky and on Earth.Pub Date: July 9, 2021
ISBN: 978-1-62634-865-3
Page Count: 284
Publisher: Greenleaf Book Group Press
Review Posted Online: Sept. 18, 2021
Kirkus Reviews Issue: Nov. 15, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
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