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THE CITY OF LOST FORTUNES

One hopes for more of Camp’s dangerous visions to spring from a city that, as he writes, “is a great place to find yourself,...

A phantasmagoric murder mystery that wails, chants, laments, and changes shape as audaciously as the mythical beings populating its narrative.

It's six years after Hurricane Katrina, and, though floodwaters have receded, New Orleans, as depicted in this boisterously ingenious debut novel, is neck-deep in malaise, its surviving citizens struggling to recover their collective mojo. Among these is a Creole busker named Jude Dubuisson, who, as the book begins, is glumly content to collect spare change from credulous tourists through his supernatural gifts for locating missing objects. The hurricane and its aftermath compelled Jude to hide his true powers under the proverbial bushel until he’s beckoned to take part in a secret card game featuring some of the city’s most powerful and dangerous demigods, including the treacherous vampire Scarpelli, a fallen angel known as “Wings,” and the voodoo high priest Papa Legba. The game takes a turn when Jude goes unconscious after being dealt a hand of five blank cards. When he awakens, Jude finds that one of the game’s participants has been murdered. Soon, everybody else taking part in the game is either murdered or about to be; other potential victims include a beguiling young hoodoo apprentice, a zombie jazz trumpeter—and Jude himself. For a first-time novelist, Camp shows adroitness in weaving the real-life exoticism of present-day New Orleans with his macabre alternate universe that’s almost—what's the word—supernatural. (Among the unique characters attending a burial service for one of the murder victims: a centaur, a hairy giant, and “a fat, brown-skinned man with the head of an elephant.”) Things only get weirder and more intense from there, but the engaging style, facility with folklore, and, above all, impassioned love for the city its characters call home keeps you enraptured by the book’s most chilling and outrageous plot twists.

One hopes for more of Camp’s dangerous visions to spring from a city that, as he writes, “is a great place to find yourself, and a terrible place to get lost."

Pub Date: April 17, 2018

ISBN: 978-1-328-81079-3

Page Count: 384

Publisher: Houghton Mifflin Harcourt

Review Posted Online: Feb. 5, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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THE HOUSE IN THE CERULEAN SEA

A breezy and fun contemporary fantasy.

A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 10, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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A BLIGHT OF BLACKWINGS

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.

In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.

A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.

Pub Date: Feb. 4, 2020

ISBN: 978-0-345-54857-3

Page Count: 592

Publisher: Del Rey/Ballantine

Review Posted Online: Nov. 24, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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