Overwritten, labored phrasing and problematic tropes burden this future-tech novel.
In this sci-fi novel set in the 35th century, a Galactic Interpol Society agent chases down a set of stolen codes that could leave an artificial planet open to invasion.
By the year 3421, humans coexist with the red-eyed novi, a people “originally born from enhanced industrialized pollutants.” The novi have colonized Earth’s Southern Hemisphere; slowly, the world is moving toward integration, but tensions still flare, especially at border cities. A third group of aliens from Planet Amephirous lives in small settlements on Earth and on Atlas, a new, artificial planet inhabited by members of all three cultures. This fragile peace is threatened by a power-seeking cabal whose chief members are an alien military officer and “underworld criminal”; a human politician; Jax, a novi terrorist and criminal; and Trigarous, a rogue human intelligence agent. They’re plotting to steal the codes for a security fail-safe program called RETROSPECT and use them to invade Atlas, jeopardizing all of its inhabitants. The group has power, money, connections, and highly developed skills—but they don’t have Jonah, a “top-priority special agent” for the Galactic Interpol Society. He’s tasked with investigating the conspiracy, preventing disaster, and rescuing a kidnapped ambassador. He’ll get help from Bot-21, a mobile AI unit, as well as an array of high-tech tools and weaponry—and he’ll need every advantage for what’s ahead of him. With his debut novel, DeMinico will appeal to readers who are intrigued by futuristic battles and gadgets. Both Jonah and Trigarous receive intriguing tactical goodies before starting their missions, and they use them to good effect; these elements, along with the novel’s many action sequences, are well-thought-out. However, the storytelling is greatly hampered by the tortured, sometimes-bizarre syntax that permeates the prose, such as “The other dwelled his interest elsewhere” and “her nose ejected its own variance of bodily tears.” Women also receive little representation, and one portrayal—of a “cute oriental woman,” who turns out to be an assassin named “Lady Crimson”—draws on stereotypes.
Overwritten, labored phrasing and problematic tropes burden this future-tech novel.Pub Date: Jan. 23, 2019
ISBN: 978-1-982220-19-8
Page Count: 362
Publisher: BalboaPress
Review Posted Online: July 27, 2019
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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