by Bryan Doerries ‧ RELEASE DATE: Sept. 22, 2015
Samples of his adaptations scattered throughout the book demonstrate that Doerries has a knack for putting ancient speeches...
A memoir of a man with a mission, bringing the message of ancient tragedies to modern audiences in need of the comfort of their compelling truths.
The founder of Theater of War, “a project that presents readings of ancient Greek plays to service members, veterans, and their families to initiate conversations about the visible and invisible wounds of war,” Doerries, a “self-proclaimed evangelist for classical literature and its relevance to our lives today,” has adapted the texts of Greek tragedies into everyday speech, believing that the messages they contain can foster compassion and healing. His troupe stages readings of modern translations of ancient tragedies, followed by panel discussions eliciting audience participation. The experience of directing a performance of a Euripedes play while a student of classical languages led him to a career translating and directing Greek dramas. Doerries was able to persuade the military to allow him to present on bases around the world his adaptation of Sophocles’ Ajax, in which a Greek warrior stricken with grief, exhaustion, anger, and a sense of betrayal by his superiors commits suicide. The author writes that recognizing themselves in the character of Ajax, servicemen were able to share their stories as never before. Similarly, he has presented his adaption of Aeschylus’ Prometheus Bound, a play about discipline, power, hierarchy, and control, to corrections officers. His work has since expanded into readings of other Greek plays to other groups—for example, students and teachers at medical schools and hospitals, with the aim of starting open discussions about palliative care and death and dying. He has also presented the biblical Book of Job before communities suffering in the aftermaths of natural disasters.
Samples of his adaptations scattered throughout the book demonstrate that Doerries has a knack for putting ancient speeches into powerful modern words; hopefully, a companion volume containing the full texts will follow.Pub Date: Sept. 22, 2015
ISBN: 978-0-307-95945-4
Page Count: 304
Publisher: Knopf
Review Posted Online: May 25, 2015
Kirkus Reviews Issue: June 15, 2015
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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