Next book

BUCK LEONARD: THE BLACK LOU GEHRIG

THE HALL OF FAMER'S STORY IN HIS OWN WORDS

An intimate memoir of the Negro Leagues by one of its greatest players. Though Riley (The Biographical Encyclopedia of the Negro Baseball Leagues, not reviewed) gets credit for helping Leonard write his autobiography, this book reads as if it were a verbatim transcription of Leonard's taped reminiscences. That is the book's weakness and its strength. It rambles and lacks consistent narrative structure, but it is also an important memoir of an era in American sports—and in American history—that has only begun to get the attention it deserves. The slick-fielding first baseman was one of the best hitters in the Negro Leagues from 1934 to 1950, and most observers believe that if it weren't for segregation he would have been a superstar in the major leagues. Leonard's memory is encyclopedic: He recalls plays and players from when he was a 13- year-old playing semi-pro ball in 1921 to his last game, at 47, in a Mexican league in 1955. He tells stories of grueling three-games- a-day schedules; of endless travel from one seedy segregated hotel to another; of lousy pay and breached contracts; and of winters spent in menial labor to make ends meet. Lou Gehrig, the white player to whom Leonard is most often compared, had a far more comfortable life, but Leonard expresses no rancor and only mild regret. Nor, at 87, does he romanticize the past. The Negro Leagues were not as good as the major leagues, he writes, and it is virtually impossible to measure black players of the era against their white counterparts. Leonard writes that Gehrig probably was a better player than he was. But he also wishes he'd had the chance to find out. An invaluable historical document and the record of a remarkable life.

Pub Date: Jan. 1, 1995

ISBN: 0-7867-0119-6

Page Count: 274

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1994

Next book

NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

Awards & Accolades

Likes

  • Readers Vote
  • 19


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
Next book

INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

Awards & Accolades

Likes

  • Readers Vote
  • 19


Our Verdict

  • Our Verdict
  • GET IT


Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

Close Quickview