by Buck Leonard with James A. Riley ‧ RELEASE DATE: Jan. 1, 1995
An intimate memoir of the Negro Leagues by one of its greatest players. Though Riley (The Biographical Encyclopedia of the Negro Baseball Leagues, not reviewed) gets credit for helping Leonard write his autobiography, this book reads as if it were a verbatim transcription of Leonard's taped reminiscences. That is the book's weakness and its strength. It rambles and lacks consistent narrative structure, but it is also an important memoir of an era in American sports—and in American history—that has only begun to get the attention it deserves. The slick-fielding first baseman was one of the best hitters in the Negro Leagues from 1934 to 1950, and most observers believe that if it weren't for segregation he would have been a superstar in the major leagues. Leonard's memory is encyclopedic: He recalls plays and players from when he was a 13- year-old playing semi-pro ball in 1921 to his last game, at 47, in a Mexican league in 1955. He tells stories of grueling three-games- a-day schedules; of endless travel from one seedy segregated hotel to another; of lousy pay and breached contracts; and of winters spent in menial labor to make ends meet. Lou Gehrig, the white player to whom Leonard is most often compared, had a far more comfortable life, but Leonard expresses no rancor and only mild regret. Nor, at 87, does he romanticize the past. The Negro Leagues were not as good as the major leagues, he writes, and it is virtually impossible to measure black players of the era against their white counterparts. Leonard writes that Gehrig probably was a better player than he was. But he also wishes he'd had the chance to find out. An invaluable historical document and the record of a remarkable life.
Pub Date: Jan. 1, 1995
ISBN: 0-7867-0119-6
Page Count: 274
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 1994
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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