by Budge Wilson ‧ RELEASE DATE: April 29, 1992
Recipient of the Canadian Young Adult Book Award, nine remarkable stories about girls in Nova Scotia, often told by a narrator looking back years later on a pivotal period, after its significance has become clear. Like the author, some of these wonderfully individual characters are gifted writers; in ``Lysandra's Poem,'' one such fiercely independent soul is described by a narrator whose conventional effort receives a local prize, thus winning the enmity of her far more talented friend. Miss Hancock, a seventh- grade teacher with a vividly flamboyant manner, inspires Charlotte with the power of language in ``The Metaphor''; when Miss Hancock reappears in high school, unable to get her rowdy students' attention, Charlotte tragically fails to tell her how much she still values the earlier lessons. Several stories turn on realignments of power in the family: oblivious to her true image, Juliette describes bullying her meek twin, Henrietta, until the day the young men suddenly see Henrietta's beauty. In the title story, an uneducated mother who has labored through The Feminine Mystique (found among clothes given her family by the Salvation Army) takes her 12-year-old daughter on a three-day timeout from their rudely demanding menfolk; the changes that ensue on their return are pathetically small—yet real. So beautifully written that they seem to have been lived rather than observed, rich in insight and splendidly grounded in time and place: a memorable collection. (Fiction. 11+)
Pub Date: April 29, 1992
ISBN: 0-399-21878-5
Page Count: 208
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1992
Share your opinion of this book
More by Budge Wilson
BOOK REVIEW
by Budge Wilson
BOOK REVIEW
by Budge Wilson
by Laura Nowlin ‧ RELEASE DATE: Feb. 6, 2024
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
Share your opinion of this book
More by Laura Nowlin
BOOK REVIEW
by Laura Nowlin
by Kathleen Glasgow ‧ RELEASE DATE: Aug. 30, 2016
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
Awards & Accolades
Likes
50
Our Verdict
GET IT
New York Times Bestseller
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
Share your opinion of this book
More by Kathleen Glasgow
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.