by Burt Weissbourd ‧ RELEASE DATE: May 5, 2020
A woman gets in touch with her inner action hero in this bracing thriller.
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In this novel, a restaurateur’s ex-husband—a journalist working on an explosive story—puts her and her son in danger.
Callie James is the owner of Le Cochon Bronze, a popular eatery in Seattle, where she returned, heartbroken and pregnant, after she caught her French spouse cheating on her. Fourteen years later, her former husband shows up at the restaurant. He is a renowned investigative reporter working on “the story of the modern terrorist world.” She wants no part of him and escorts him outside. No sooner does he inform her that someone is trying to kill him and he needs her help than a hit-and-run driver propels him through the front of her restaurant. He survives, and, against her better judgment, she agrees to hide him for the sake of the son he has never met. “This kind of risk-taking is not like you,” her sommelier notes. Her 13-year-old son, Lew, tells her: “You need someone to help you. Someone tough.” Callie knows just the guy: Cash Logan, “a scoundrel,” womanizer, and smuggler whom she turned over to the police two years ago. (“When you get out of jail, don’t ever come back here,” she told him.) While it is out of character for him, too, he agrees to help her (albeit for a sizable sum of money). One of the pleasures of this fast-paced franchise starter is Callie’s believably gradual transformation into someone who would spray bear mace on two assassins in a car. She is, as described, “a force of nature.” Weissbourd’s supporting cast of colorful characters just skirts the realm of clichés. In this entertaining tale, it is menacingly effective that the softer a villain’s voice gets, the angrier he is. Only the ex-husband is not as convincingly drawn. Still, as one character toasts, “Bravo, Callie James.”
A woman gets in touch with her inner action hero in this bracing thriller.Pub Date: May 5, 2020
ISBN: 9781733438209
Page Count: -
Publisher: Blue City Press
Review Posted Online: Feb. 28, 2020
Review Program: Kirkus Indie
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by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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by Fredrik Backman translated by Neil Smith
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by Fredrik Backman ; translated by Neil Smith
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SEEN & HEARD
by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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