The tale comes to a bitter stopping point that will leave readers very much in need of the next volume.
In medias res, the second volume of the Scarlet series (Scarlet, 2013) plunges readers happily into the world of Sherwood Forest and does not end with any resolution, but its spirited action and rich voices hold.
The main voice is that of Scarlet, thief and lady indeed. As Lady Marian, she has married Gisbourne to protect Robin Hood. Gisbourne has injured Scarlet and tortured Robin Hood, but he promises her an annulment (and no consummation) if she will just play a part while Gisbourne fawns upon Prince John. Scarlet sees all these wheels within wheels clearly as she tries to protect the people of Nottingham. She also needs to protect herself from Robin, whom she loves but who suffers from a kind of PTSD. There is a full measure of kisses and caresses (but no more than that) and some very lovely and slightly antique language—“She were as pretty as milk and sun”—as well as splendidly choreographed jousts and archery contests. There are also some brief but vivid scenes of physical cruelty. All this holds together as Scarlet discovers her true heritage and finds a supporter and protector in the ancient Eleanor of Aquitaine (mother of Prince John and Richard Lionheart). There are secrets and lies, and back story comes to the forefront enough so readers who might have missed the first volume won’t be lost.
The tale comes to a bitter stopping point that will leave readers very much in need of the next volume. (Historical fiction. 13-18)Pub Date: Feb. 11, 2014
ISBN: 978-0-8027-3614-7
Page Count: 320
Publisher: Walker
Review Posted Online: Nov. 12, 2013
Kirkus Reviews Issue: Dec. 1, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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