Fans of the Smiths, Depeche Mode, Scritti Politti—this one’s for you
A vivid infusion of 1980s culture gives this near-future dystopia an offbeat, Philip K. Dick aura.
Her father’s recent death and the move from New Zealand to Toronto with her mother and sister in 1985 have left Freya Kallas seriously disoriented and plagued by headaches. Worse, her memories have puzzling gaps. She can’t recall her best friend Alison’s taste in music or how it felt to kiss her old boyfriend, Shane. Some events feel unreal, while others (like the guys who hit on her at parties, something she’s sure never happened before) don’t engage her. What do Freya’s dreams of living another life mean? Something is seriously out of joint, and Freya is sure the boy she spots on a school field trip has the answers she needs. Though she doesn’t know his name and he doesn’t recognize her, Freya, increasingly desperate, can’t let him go. A thicket of exposition slows the narrative briefly, but the pace picks up, and the action accelerates to a gripping climax. Sympathetic, well-drawn characters compensate for a rather flimsy instant dystopia and rubber science. The cultural homage is nostalgic fun, from Care Bears to MacGyver. But for delivering that uniquely ’80s flavor, nothing beats music.
Fans of the Smiths, Depeche Mode, Scritti Politti—this one’s for you . (Dystopian romance. 12 & up)Pub Date: Sept. 25, 2012
ISBN: 978-0-375-86650-0
Page Count: 368
Publisher: Random House
Review Posted Online: June 26, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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