Appealing characters energize this well-written detective tale.
In this sequel, private eye Jack Fox juggles new fatherhood with chasing organ harvesters.
Jack learned he was a dad only six months ago when Enid Iglowski showed up at his door. Both he and his 17-year-old daughter struggle settling into their new, shared life. This may explain Enid’s anger issues, like clocking a bully at her Arizona school. While dealing with his daughter’s troubles, Jack takes on a missing person case. His new client, Layla Orlov, hasn’t seen her Russian mail-order-bride sister in nearly a month. In a concurrent plot, local police detective Bud Orlean gets a phone call on one of his “restricted work days,” as his heart disease has relegated him to part-time. He works a gang-style shooting, a crime scene trumped by what fills the victim’s car’s trunk—assorted organs, most likely for the black market. Bud soon realizes this organ-harvesting investigation has ties to Jack’s case. It’s hardly surprising that those behind these macabre crimes are dangerous, and they soon set their eyes on Enid. As if this weren’t enough for Jack to handle, his former lover and alleged serial killer Eve Hargrove hits him with a bit of blackmail. Evidently, she’s pregnant with their child while still behind bars and awaiting trial. If he doesn’t marry her, Eve vows to kill the unborn baby. Jack has a mind-boggling decision to make, all while trying to close his case and keep his teen daughter safe.
This follow-up to Gunning for Angels(2014) stars an indelible cast whose assumptions advance the plot. For example, Enid spots insurance forms on Jack’s desk and becomes convinced her dad has plans to kill her. It’s a humorously absurd claim that adults, especially her school counselor, take seriously. But it’s also indicative of the girl’s understandable fear of abandonment; she’s certain Jack will leave her. The father-daughter relationship is authentic, portraying challenging and endearing moments; Jack’s simple compliments (“You’re better than that”) have more impact on Enid than he knows or she’s willing to admit. Each character likewise has their share of strengths and weaknesses. Enid runs away from her problems but not when others need help, and hotheaded, promiscuous Jack proves a tenacious investigator. This melodrama-infused story isn’t a typical mystery; pieces of what Jack, Bud, and even Enid discover mostly fall into place without too much effort. Nevertheless, the trio of atypical detectives unquestionably faces cruel, frightening villains. Lewis builds nerve-wracking set pieces, and uses razor-sharp prose: “Behind the pretty brown eyes was a shade of cold calculation that Jack recognized all too well from the plethora of not-so-young-anymore moms looking for a bankroll.” In the same vein, the author doesn’t shy away from violent, sometimes grotesque imagery.
Appealing characters energize this well-written detective tale.Pub Date: Oct. 19, 2017
ISBN: N/A
Page Count: 424
Publisher: Cathleen A. McCarthy
Review Posted Online: Oct. 27, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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