Macy’s lively, acute voice can edge toward cruelty but ultimately remains good-natured.
These seven stories center around women and girls who feel a need to prove themselves despite their socio-economic advantages or disadvantages, all of which make them uncomfortable.
Class is always an issue here. While some stories concern girls striving to rise above their modest backgrounds, Macy mostly concentrates on women trying to find where they fit now that they’re among the elite. The opener, “One of Us,” sets the tone. Insecure young mother Frances has never felt quite comfortable among her privileged urban peers. Attending a dinner party with her husband in their new vacation community, Frances is desperate for acceptance. She convinces herself that the other guests’ drinking and lack of political correctness are charming until her new friends’ racism becomes too blatant to ignore. In the title story, another couple takes a vacation in Tuscany, where the wife’s insecurity as a wealthy traveler ruins her trip. In “Nude Hose” and “The Taker,” strange men disrupt smart young women’s planned trajectories, but only briefly. In “We Don’t Believe in That Crap,” two daughters knowingly watch less-than-appreciative reactions to their mother’s condescending, if well-intentioned, gestures of kindness to the less advantaged; yet the bourgeois discipline their parents have instilled in the girls proves valuable during an emergency. The collection’s penultimate story, “Residents Only,” offers a different yet complementary take on parents and children while clearly laying out the book’s themes. A woman on a trip to Acapulco with her two young daughters recognizes that the control the girls believe she maintains over their lives is a facade and that her desire to prove herself as more than just another upper-middle-class tourist is doomed even before the vacation goes disastrously wrong. In “The Little Rats,” the final story, a character comes full circle. A prep school scholarship student whose relative poverty becomes more obvious to her during a trip to France reappears 30 years later as a successful woman in true control of her life.
Macy’s lively, acute voice can edge toward cruelty but ultimately remains good-natured.Pub Date: June 21, 2022
ISBN: 978-0-316-43419-5
Page Count: 224
Publisher: Little, Brown
Review Posted Online: March 29, 2022
Kirkus Reviews Issue: April 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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