The renowned humorist fashions an affectionate portrait of his father that muses on the elliptical methods by which men raise sons and by which sons strive to please fathers. Trillin likens his father's ``messages''—indirect signals combining expectation, assumption, and wish—to a secret code. Their meanings were ambiguous to young Calvin. No fan of heart-to- hearts, Abe Trillin's most direct advice was the low-key dictum ``You might as well be a mensch.'' By turns a grocer, restaurateur, hotelkeeper, and real estate developer, Abe was indeed a mensch—a person who always does the right thing—and it's clear his messages and example transmitted a powerful moral code his son still follows. Legendarily stubborn, thrifty, and opinionated, the Russian immigrant earned a reputation for taciturnity but also possessed American optimism and a comic sense that mixed Yiddish humor with a midwesterner's self-deprecating ingenuousness. He was a man of many theories: on butchers, gin strategy, and women's dental fitness (good teeth are the key to a happy marriage), and a connoisseur of curses. Calvin's well-documented love of doggerel finds an antecedent in the verses Abe penned for the menu of his Kansas City restaurant: ``Don't sigh/eat pie.'' The writer obviously relishes Abe as card and character, but it's an amusement tempered by sobering loss at Abe's death, and by a sense of awe (heightened by his own experience with parenthood) that his father managed to pass on as much as he did. Of Abe's typically oblique support of writing as a possible vocation, Trillin wryly muses: ``Would that be how you'd steer your son toward journalism—slip the word to him casually when he's three years old and then make sure he knows how to type?'' With characteristic grace and good humor, Trillin crafts a charming, heartfelt memorial to his father that is also a loving demonstration of how deeply he took his father's advice to heart. (Author tour)
Pub Date: June 1, 1996
ISBN: 0-374-20860-3
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1996
This early reader is an excellent introduction to the March on Washington in 1963 and the important role in the march played by Martin Luther King Jr. Ruffin gives the book a good, dramatic start: “August 28, 1963. It is a hot summer day in Washington, D.C. More than 250,00 people are pouring into the city.” They have come to protest the treatment of African-Americans here in the US. With stirring original artwork mixed with photographs of the events (and the segregationist policies in the South, such as separate drinking fountains and entrances to public buildings), Ruffin writes of how an end to slavery didn’t mark true equality and that these rights had to be fought for—through marches and sit-ins and words, particularly those of Dr. King, and particularly on that fateful day in Washington. Within a year the Civil Rights Act of 1964 had been passed: “It does not change everything. But it is a beginning.” Lots of visual cues will help new readers through the fairly simple text, but it is the power of the story that will keep them turning the pages. (Easy reader. 6-8)
Pub Date: Jan. 1, 2001
ISBN: 0-448-42421-5
Page Count: 48
Publisher: Grosset & Dunlap
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2000
Flawed but poignant and often funny.
Comedian and Onion director of digital Thurston (Better Than Crying: Poking Fun at Politics, the Press & Pop Culture, 2003) delivers a “book about the ideas of blackness” in the guise of a helpful how-to guide to being black.
The author and a “Black Panel” made up of friends and colleagues, including one white person to avoid charges of reverse discrimination and also as a control group, ponder many questions about being black—e.g., “When did you first realize you were black?” and “Can you swim?” However, the humor does not serve the role of making light of race and racism, but rather as a gentle skewering that invites serious consideration of how black Americans are often limited by certain expectations concerning blackness. In “How to Speak for All Black People,” Thurston challenges the assumption that one black person can speak to the experience of an entire race, as well as the assumption that a black person can only speak to the black experience. In “How to Be the Black Employee,” he confronts the challenges of being hired both for the job and for being black—you will and must be, for instance, featured in every company photo. The humor does not always work; at times it is blog-like cleverness for the sake of cleverness (and is yet another joke about blacks needing white friends to get a cab really needed?). Thurston is at his best when he writes about his own life: growing up in Washington, D.C., attending Sidwell Friends School, matriculating at Harvard (“my experience of race at Harvard was full of joy and excitement”). The key to greater harmony is not necessarily seeing beyond race, but, as one Black Panelist puts it, to “see that and all of the things that I have done, to embrace all of me.”
Flawed but poignant and often funny.Pub Date: Feb. 1, 2012
ISBN: 978-0-06-200321-8
Page Count: 256
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 12, 2011
Kirkus Reviews Issue: Jan. 1, 2012
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