A celebratory story of acceptance and creative expression.
At the theater camp of her dreams, an autistic 11-year-old is determined to be the star.
Maya can’t believe she’s going to attend musical theater day camp with “THE Irene Brown, legendary theater director.” And this summer, the camp will be putting on a performance of The Drowsy Chaperone, which is only Maya’s “favorite play of all time.” Obviously, Irene Brown will see that Maya is perfect for the starring role: She knows all the songs and everything about the show, and she even has a homemade shirt with The Drowsy Chaperone written on it. So why does Maya’s mother keep telling her not to take the starring role for granted? This is obviously just another one of her mother’s autism rules, like “Don’t chew on your hair” and “Don’t talk too much about musicals.” Maya’s even making new friends, but they get mad at her for no reason—she’s just trying to be helpful when she corrects their mistakes. She doesn’t want to always pretend to be “Maya in Public,” her most well-rehearsed role, but she does want to have friends. Can she be happily, obsessively perfectionist about theater and still be liked? Nuances and the messiness of growing up enrich Maya’s satisfying journey: Painfully, ultimately joyfully, she navigates the weirdness of friendships with neurotypical kids. Maya is white; Irene Brown is Black, and there’s racial diversity among the supporting characters.
A celebratory story of acceptance and creative expression. (Fiction. 8-12)Pub Date: March 5, 2024
ISBN: 9781773218502
Page Count: 240
Publisher: Annick Press
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
Quirky and imaginative—postmodern storytelling at its best.
Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.
Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.
Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)Pub Date: Sept. 10, 2019
ISBN: 978-1-5344-3341-0
Page Count: 272
Publisher: Atheneum
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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