by Cameron McWhirter ‧ RELEASE DATE: July 5, 2011
Masterly examination of the widespread outbreak of racially motivated mob violence in the summer of 1919.
In his debut, Wall Street Journal staff reporter McWhirter describes in gripping detail a wave of incidents of mob violence that erupted across America in the summer following the end of World War I. Chicago, Washington and Knoxville became battlegrounds, and in Omaha the mob sacked the county courthouse and nearly hanged the mayor. The Tuskegee Institute recorded 83 lynchings during the year, a record that still stands. The federal government did nothing; the Justice Department, led by the red-baiting Attorney General Alexander Mitchell Palmer, attributed the violence to radical agitators among black workers. As McWhirter skillfully demonstrates, the true causes of the violence were complex, arising in part from social dislocations resulting from the “Great Migration” of Southern blacks to northern cities in search of industrial jobs, a trend that exacerbated racial animosities in volatile societies that were often already ethnically fragmented. Lynchings and race riots had occurred throughout American history, but in 1919 white thugs encountered something new—the nation’s black communities now included soldiers returned from France who were determined to resist mob violence by force of arms. Their efforts were supported by black civic leaders like James Weldon Johnson, Walter White and W.E.B. Du Bois of the NAACP, who pressed for justice for the rioters’ victims in the press, the courts and Congress, and thereby established their burgeoning organization as the preeminent group advocating for black rights. In this new spirit of resistance, McWhirter sees “the start of a process—a great dismantling of institutional prejudice and inequity that marred American society.” Throughout the book, the author writes with professional detachment, permitting his subjects’ words and deeds to speak eloquently for themselves, amplified by liberal quotation from the vibrant black press of the period. An unsettling reminder of the cruelty and hatred that can lie beneath the surface of a nation formally committed to equal justice for all, but also a monument to the suffering and perseverance of a people at last determined to demand rights promised but too long denied.
Pub Date: July 5, 2011
ISBN: 978-0-8050-8906-6
Page Count: 368
Publisher: Henry Holt
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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