A story about telling your truth, your way.
Garrett’s debut novel not only successfully tackles discrimination through the lenses of race, sexuality, and having HIV, but also shows the possibility of living a full life despite it all.
Simone Garcia-Hampton is perfectly ordinary in many ways—she gets embarrassed by her Pops and her Dad, obsesses over her dream of directing musicals on Broadway, tries to figure out if she’s bisexual, crushes on a boy in drama club, and thinks about having sex. But the San Francisco teen, who was adopted by her two gay dads, also has to consider her inherited HIV-positive status along with the threatening notes she starts to receive after she starts dating Miles. She knows what could happen if everyone at her new school found out about her status, but she also doesn’t want to give up what she’s got with Miles. Lydia and Claudia are her two best friends and, along with her fathers, her fiercest supporters. Simone will have to take a chance on trusting those closest to her with her secret before she can truly take back her power. Simone’s story will educate readers about the intricacies of living fully with HIV and controlling your narrative. The primary and most secondary characters are well developed, and the pace is spot-on. Simone, her Pops, and Miles are black; her Dad is Latinx; Lydia is Taiwanese and bisexual; and tan-skinned Claudia is an asexual lesbian.
A story about telling your truth, your way. (Fiction. 14-18)Pub Date: Oct. 29, 2019
ISBN: 978-1-9848-2995-5
Page Count: 304
Publisher: Knopf
Review Posted Online: July 25, 2019
Kirkus Reviews Issue: Aug. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
A heavy read about the harsh realities of tragedy and their effects on those left behind.
In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.
Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.
A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)Pub Date: Feb. 6, 2024
ISBN: 9781728276229
Page Count: 416
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
BOOK REVIEW
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