Visually marvelous, like its subject—with a text more poetic than expository.
This latest collaboration between Fleming and Rohmann explores the elusive giant squid.
Fleming focuses as much on lingering unknowns as facts, introducing uncertainty in a poetic prologue: "Who are these giants of the dark seas?… // It is a mystery. // After all, how can you know / about an animal hidden from view? / You must rely on clues, / as scientists do...." Rohmann's full-bleed oil-on-paper pictures convey the squid's enormous size by capturing only its parts. Its two tentacles, "curling and twisting and thirty feet long," undulate both within the picture plane and outside it. After a barracuda’s foiled by squid ink, dramatic double gatefolds open, revealing that even a yardwide page can’t fully contain this creature. Sea depths are dark teal, purpled, or blackened; gorgeously crisp white text type casts its own light. Anatomical details elicit Fleming's most assertive descriptions. As tentacles enfold a fish, "they latch on with powerful / sucker-studded clubs. / ... / Suckers ringed with saw-like teeth / that rip into skin and hold on tight." There’s a startling close-up of "the beak. / Bone-hard and parrot-like." Poetic compression occasionally results in obfuscation. Accounting for the squid's huge eyes, Fleming elides bioluminescence (effectively, jellyfishes’ early-warning system of approaching predators), discernible by the squid only as “a shimmering outline.” The creature’s potential color changes are mentioned speculatively, without further qualification.
Visually marvelous, like its subject—with a text more poetic than expository. (labeled diagram of giant squid, author’s note, bibliography, web resources, suggested books) (Informational picture book. 6-9)Pub Date: Sept. 27, 2016
ISBN: 978-1-59643-599-5
Page Count: 40
Publisher: Neal Porter/Roaring Brook
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
“It is a lovely thought,” opines Bear, “to think that we could ever be, / as kindly as we ought.” Impossible to disagree.
Vivacious illustrations carry this unlikely tale of a captured mouse’s ploy that inspires three predatory animals to wage peace.
When Cat nabs Mouse by the tail, the quick-thinking rodent immediately tells him it’s Friendly Day: “a day for sharing, a day for caring, / when everyone is nice, // when Frog reads Snail a fairy tale / and cats do NOT eat mice.” So eloquent is the mouse that the dazzled feline marches off to persuade Dog and a less credulous but tenderhearted Bear to join paws and set out to make the holiday a real one. Expanding the central cast into a burgeoning gallery of wild creatures from all over, Fuge illustrates Kelly’s bouncy rhymes with a series of harmonious gatherings. These range from the aforementioned frog and snail to a tiger lounging familiarly against a (knitting) rhino, a fox serenading dancing geese, baboons handing out balloons and a cow pouring medicine for a bedridden crocodile. All are expressively posed and rendered in sharp detail (with occasional anthropomorphic tweaks) and with fond smiles.
“It is a lovely thought,” opines Bear, “to think that we could ever be, / as kindly as we ought.” Impossible to disagree. (Picture book. 6-8)Pub Date: Sept. 1, 2013
ISBN: 978-1-4380-0345-0
Page Count: 32
Publisher: Barron's
Review Posted Online: Aug. 2, 2013
Kirkus Reviews Issue: Aug. 15, 2013
Duck is going about her daily activities when she notices the presence of Death. Personified as a miniature Grim Reaper,...
Parents who choose to discuss death with their young children may feel this odd import is an excellent discussion starter (if they don't find it peculiar and macabre).
Duck is going about her daily activities when she notices the presence of Death. Personified as a miniature Grim Reaper, complete with long robe and grinning skull, Death initially frightens Duck, who wonders if Death has come to “fetch” her. The (not so) reassuring response? “Oh, I’ve been close by all your life—just in case.” Eventually Death seems so familiar that Duck even reaches out to warm him after a dip in the pond. Touched but undeterred, Death waits patiently until one day Duck succumbs, whereupon he launches her (and the titular tulip) out upon the “great river.” Erlbruch’s text, in Chidgey's translation, offers plenty to talk about, with touches of gentle humor as well as some briskly summarized views of the afterlife. His illustrations likewise repay careful attention despite their apparent simplicity. Created primarily in subdued shades, they appear to incorporate drawing, painting, etching and collage, and they deftly convey both action and personality with a few lines.Pub Date: Nov. 1, 2011
ISBN: 978-1-877579-02-8
Page Count: 38
Publisher: Gecko Press
Review Posted Online: Sept. 20, 2011
Kirkus Reviews Issue: Oct. 15, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
