Next book

THE TRUTH ABOUT DELILAH BLUE

Cohen (Little Black Lies, 2009, etc.) knows how to focus on character in ways that make readers care.

A father abducts his daughter, flees to Los Angeles from their home in Toronto, creates a new identity for the two of them, lives in anonymity for eight years—and then gets diagnosed with early-onset Alzheimer’s just as his wife catches up with him.

At the age of 20, Delilah Blue—now Lila Mack—finds herself posing nude for an art class, for she wants to become an artist. She has talent but no money, and she hopes to pick up pointers from crusty art professor Julian Lichtenstein (aka Lichty), far less well known than his famous second cousin, Roy. Until now she’s had little confusion about her identity: Her father Victor has persuaded her that her mother, Elisabeth, didn’t want her, and Lila readily accepts this explanation. It turns out, however, that flaky mom is now in L.A. (along with Lila’s seven-year-old half-sister) because a Canadian psychic had told her she’d find her daughter there. Elisabeth—an artist manqué—keeps checking art galleries for evidence of her daughter’s existence and eventually finds a nude sketch of her. Mom is rather vindictive because it appears Victor has been feeding Lila a line—although he kidnapped her to get her away from her mom’s lax maternal qualities and her spacey artiste, dope-smoking friends, all the time mom had been searching for her daughter. Victor now has problems of his own, however, for even though he’s only 53, he’s forgetting his appointments—and showing up at odd times—as a salesman for a medical-supplies company. He’s also becoming more irrational and impulsive. (A symptom of the problem emerges when he steals a dog left temporarily in his care.) Elisabeth wants to prosecute her husband for kidnapping, but Lila—who ultimately assumes her original and rightful name of Delilah—acts like the only adult in this dysfunctional trio by trying to protect and care for her father and fend off the mother’s pent-up aggression.

Cohen (Little Black Lies, 2009, etc.) knows how to focus on character in ways that make readers care.

Pub Date: June 1, 2010

ISBN: 978-0-375-83672-5

Page Count: 448

Publisher: Perennial/HarperCollins

Review Posted Online: Dec. 28, 2010

Kirkus Reviews Issue: April 1, 2010

Categories:
Next book

A CLOCKWORK ORANGE

The previous books of this author (Devil of a State, 1962; The Right to an Answer, 1961) had valid points of satire, some humor, and a contemporary view, but here the picture is all out—from a time in the future to an argot that makes such demands on the reader that no one could care less after the first two pages.

If anyone geta beyond that—this is the first person story of Alex, a teen-age hoodlum, who, in step with his times, viddies himself and the world around him without a care for law, decency, honesty; whose autobiographical language has droogies to follow his orders, wallow in his hate and murder moods, accents the vonof human hole products. Betrayed by his dictatorial demands by a policing of his violence, he is committed when an old lady dies after an attack; he kills again in prison; he submits to a new method that will destroy his criminal impulses; blameless, he is returned to a world that visits immediate retribution on him; he is, when an accidental propulsion to death does not destroy him, foisted upon society once more in his original state of sin.

What happens to Alex is terrible but it is worse for the reader.

Pub Date: Jan. 8, 1962

ISBN: 0393928098

Page Count: 357

Publisher: Norton

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Jan. 1, 1962

Categories:
Next book

KING MIDAS AND THE GOLDEN TOUCH

PLB 0-688-13166-2 King Midas And The Golden Touch ($16.00; PLB $15.63; Apr.; 32 pp.; 0-688-13165-4; PLB 0-688-13166-2): The familiar tale of King Midas gets the golden touch in the hands of Craft and Craft (Cupid and Psyche, 1996). The author takes her inspiration from Nathaniel Hawthorne’s retelling, capturing the essence of the tale with the use of pithy dialogue and colorful description. Enchanting in their own right, the illustrations summon the Middle Ages as a setting, and incorporate colors so lavish that when they are lost to the uniform gold spurred by King Midas’s touch, the point of the story is further burnished. (Picture book. 7-9)

Pub Date: April 1, 1999

ISBN: 0-688-13165-4

Page Count: 32

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1999

Categories:
Close Quickview