Ryan’s story features the disarming characters Frog and Bunny, two close friends. They go swimming and fight monsters together. “They even eat peanut-butter sandwiches together. / Ribbit rabbit. Wibbit wabbit.” But such close proximity can breed a case of the grumps. They squabble over a toy robot, which goes “beep boop, boop beep.” They stop talking to one another, but “they know what they have to do.” Make up, that’s what. These two are self-starters who can figure out their acrimony for themselves, which is a relief from being told what to do or stumbling upon the right thing by accident. The rhythmic, onomatopoeic text is a pretty music, the kind of song you’d sing in the dark to lift your spirits. Equally joyful and engaging—and that’s a tall order—is Lowery’s artwork. It has a childlike, elemental tone, with neat planes of color, but it is wonderfully, touchingly emotive. Best of all, Frog and Bunny have the radiant good cheer of a sock monkey, a mingling of the ridiculous with the sublime for a spellbinding effect. (Picture book. 4-8)
Pub Date: Feb. 1, 2011
ISBN: 978-0-8027-2180-8
Page Count: 32
Publisher: Walker
Review Posted Online: Dec. 29, 2010
Kirkus Reviews Issue: Dec. 15, 2010
While the slapstick may appeal to readers, sadly, this book is so confused and arbitrary, most of the humor falls flat.
A beleaguered giraffe tries to communicate that he isn’t a chair.
Poor Giraffe: on his first day in the jungle he’s seen as a chair by the other animals. Of course, giraffes aren’t actually found in jungles, and there’s little evidence of a jungle in the illustrations. While Giraffe does look a little like a chair, the fact that he has eyes and a mouth and nose and other features that distinguish the other animals from their seats makes it hard to understand why he is mistaken for a chair. But it’s all about the gag. Burach uses action-filled spreads to indicate a series of incidents that literally impede Giraffe’s speech, but when he is finally able to speak up for himself, he chooses instead to make a fake chair that looks like him. When that doesn’t work, he’s taken home by a dull-witted human who also uses him for a chair. Upon escaping, he is used as a chair by a lion waiting for dinner. When Giraffe finally decides to speak up and clear up the misunderstanding, he saves his own skin by scaring the lion, who thinks he’s a talking chair. The childlike drawings emphasize googly eyes, silly grins, a multitude of sound effects in emphatic display type, and lots of physical humor.
While the slapstick may appeal to readers, sadly, this book is so confused and arbitrary, most of the humor falls flat. (Picture book. 4-8)Pub Date: Feb. 14, 2017
ISBN: 978-0-06-236016-8
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 15, 2016
Kirkus Reviews Issue: Dec. 1, 2016
An endearing ode to big siblinghood.
A buffalo is disconcerted when his daily routine is disrupted by a newborn.
Kalb begins with the playful rhymes and rhythms she employed in Buffalo Fluffalo (2024). Fluffalo, having learned a lesson in cooperation in his earlier outing, happily cavorts with Ram, Crow, and Prairie Dog before enjoying some thoughtful alone time and then settling down to sleep at dusk. A loud wailing sound wakes him at dawn and continues into daybreak. “‘What could that be?’ huffed tired old Fluffalo. / ‘I’ve said it before—I’ve had enuffalo!’” When he discovers that the sound is coming from a tiny buffalo, he becomes both irate and alarmed. Fortunately, his friends show up and assure him that the little one just needs some time to learn and grow. Fluffalo calms down and admits that the baby is a bit cute—something readers will have already realized, thanks to Kraan’s sweetly imaginative art. In the ensuing pages, Fluffalo mentors the loving Puffalo, including the baby in his daily activities and fielding (some of) Puff’s many questions. Readers with younger siblings will appreciate the subtle acknowledgment that Fluffalo’s new role can be taxing, but overall, the tale affirms the joy of mentoring, while the colorful, stylized art perfectly complements the upbeat verse. It’s easy to imagine an older child reading this story to a younger one at bedtime.
An endearing ode to big siblinghood. (Picture book. 4-8)Pub Date: Sept. 30, 2025
ISBN: 9780593810309
Page Count: 40
Publisher: Random House Studio
Review Posted Online: June 13, 2025
Kirkus Reviews Issue: July 15, 2025
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