by Carl Frode Tiller ; translated by Barbara Haveland ‧ RELEASE DATE: July 13, 2021
A surprising, emotionally intense character study that elevates everyday anxieties into epic form.
The concluding volume in Tiller’s three-part novel about class and identity, thick with provocative twists and ill will.
Tiller’s Norwegian domestic saga closes by following the pattern of the first two books, published in English in 2017 and 2018. David has taken out an ad asking friends and acquaintances to share memories about him following a bout of amnesia; the replies say something about David, a witty, sour writer, but also about the respondents and broader Norwegian culture. Hanging over the narrative is David’s search for his father’s identity, which this volume resolves, but happy feelings of closure are hard to come by. In the first section, Marius reveals the truth about David’s father and unspools a remembrance of his own insecurities growing up in a wealthy family and competing with his brother. Susanne, a college friend, had an affair with David after her marriage began to crumble, but her relationship with David became poisonous as well. Finally, David himself weighs in, chafing against his stalled literary career and neuroses about his wife’s family; scenes of him sabotaging a family dinner are paired with transcripts of him parrying with his therapist over his fears. If those talk-it-out scenes are a little pat, Tiller’s sense of his characters’ pressure points is acute; he grasps how competitive Marius and David are and how desperate Susanne is to buck against domestic roles. And though scenes sometimes stretch on, Tiller’s pointillistic approach gains power as it goes along. (In David’s section, a bouillabaisse and some Q-tips spark an epic interior explosion over feelings of failure as a husband and father.) David is hard to like, but Tiller’s prismatic approach captures him from a multitude of angles; he and his cohort become fuller, if not necessarily more likable, as the story progresses.
A surprising, emotionally intense character study that elevates everyday anxieties into epic form.Pub Date: July 13, 2021
ISBN: 978-1-64445-058-1
Page Count: 448
Publisher: Graywolf
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
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by Carl Frode Tiller ; translated by Barbara J. Haveland
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by Carl Frode Tiller translated by Barbara J. Haveland
by M.O. Walsh ‧ RELEASE DATE: Sept. 8, 2020
An eccentric, well-written small-town novel jam-packed with appealing characters and their dreams.
When a photo booth–type machine in the grocery store starts spitting out predictions of people’s true callings, the residents of Deerfield, Louisiana, are deeply affected.
“In the way that aspiring novelists might like to imagine their work someday being discussed in a sophomore literature class…or the way philosophers like to chart the evolution of thought from Socrates to Plato to Jay-Z…Douglas also liked to imagine himself one day becoming part of some traceable lineage.” Douglas Hubbard, a happily married high school history teacher, has a fantasy of becoming a famous jazz trombone player. He’s even signed up for lessons. Unlike the other dreamers in his little town, he came up with this idea all by himself, on his 40th birthday. His wife and many of his neighbors, on the other hand, are carrying around little blue slips of paper produced by a machine called the DNAMIX. They say things like ROYALTY, CARPENTER, LOVER, and MAGICIAN, and because of them the school principal, the mayor, and many others in Deerfield are quitting their jobs, buying costumes, and planning major life changes. There’s something a little strange about Walsh’s follow-up to his remarkable first novel, My Sunshine Away (2015). On one hand, it has a warm, folksy, Fannie Flagg–type feeling, complete with John Prine references galore (the title is one) and a goofy touch of magic. On the other hand, like the author’s debut, it addresses very serious and disturbing issues. It opens with the death of a teenager, as experienced by his twin, and later adds intimations of a school shooting, a gang rape, and a terrible revenge plot. Both aspects are well handled, but do they really go together? When you get a bereaved dad dressed up in a ludicrous cowboy outfit intervening to rescue his son from being gunned down by the police you have to wonder.
An eccentric, well-written small-town novel jam-packed with appealing characters and their dreams.Pub Date: Sept. 8, 2020
ISBN: 978-0-7352-1848-2
Page Count: 384
Publisher: Putnam
Review Posted Online: April 12, 2020
Kirkus Reviews Issue: May 1, 2020
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by Marie Benedict & Victoria Christopher Murray ‧ RELEASE DATE: June 29, 2021
Strangely stuffy and muted.
The little-known story of the Black woman who supervised J. Pierpont Morgan’s storied library.
It's 1905, and financier J.P. Morgan is seeking a librarian for his burgeoning collection of rare books and classical and Renaissance artworks. Belle da Costa Greene, with her on-the-job training at Princeton University, seems the ideal candidate. But Belle has a secret: Born Belle Marion Greener, she is the daughter of Richard Greener, the first Black graduate of Harvard, and she's passing as White. Her mother, Genevieve, daughter of a prominent African American family in Washington, D.C., decided on moving to New York to live as White to expand her family’s opportunities. Richard, an early civil rights advocate, was so dismayed by Genevieve’s decision that he left the family. As Belle thrives in her new position, the main source of suspense is whether her secret will be discovered. But the stakes are low—history discloses that the career-ending exposure she feared never came. There are close calls. J.P. is incensed with her but not because of her race: She considered buying a Matisse. Anne Morgan, J.P.’s disgruntled daughter, insinuates that Belle has “tropical roots,” but Belle is perfectly capable of leveraging Anne’s own secrets against her. Leverage is a talent of Belle’s, and her ruthless negotiating prowess—not to mention her fashion sense and flirtatious mien—wins her grudging admiration and a certain notoriety in the all-White and male world of curators and dealers. Though instructive about both the Morgan collection and racial injustice, the book is exposition-laden and its dialogue is stilted—the characters, particularly Belle, tend to declaim rather than discuss. The real Belle left scant records, so the authors must flesh out her personal life, particularly her affair with Renaissance expert Bernard Berenson and the sexual tension between Belle and Morgan. But Belle’s mask of competence and confidence, so ably depicted, distances readers from her internal clashes, just as her veneer must have deterred close inquiry in real life.
Strangely stuffy and muted.Pub Date: June 29, 2021
ISBN: 978-0-593-10153-7
Page Count: 352
Publisher: Berkley
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
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