This intricate meditation on grief, trauma, and parenting adheres to a captivating, unpredictable internal logic.
A darkly humorous workplace drama set in a rapidly collapsing London.
James Ballard, a 38-year-old copy editor for the Royal London Journal of Medicine and widowed father of 6-month-old Fiona, can’t find the words for many of the surreal events taking place around him. That’s a neat layer of irony in Shuker’s tale of office camaraderie, societal collapse, and grief. Everything seems a tenth of a degree off, unable to be explained by sound logic or reasoning. The characters grasp for meaning, finding that their work in the highly structured world of the Royal London is no match for a city quickly descending into chaos. James is stalked by an anonymous group of roving teens in his North London community. They threaten and taunt, eventually attacking Tatia, his daughter’s babysitter (and his hired sexual partner), and are seemingly connected to all sorts of strange events. Fiona’s bedroom floods and is inundated with leaves and debris despite no obvious leak. There is no explanation for this, outside of some vague sort of sabotage from the marauding teens, which James also uses to explain how their Rhodesian ridgeback ends up in Fiona’s room. This sort of mysterious disconnect propels the novel: The death of James’ wife, for example, is a mystery whose answer is never revealed but is hinted at in a section called “Search history.” London is succumbing to rioters, looters, and general chaos, but the world of the Royal London, of James and Fiona, remains fragmented from the reality bearing down on them. Toward the end of the book, James goes on a mad dash, looking for the child he has inexplicably lost—the baby who relies on him alone to exist in this world. She appears abruptly and magically, like so many characters and moments in Shuker’s bold, elliptical novel.
This intricate meditation on grief, trauma, and parenting adheres to a captivating, unpredictable internal logic.Pub Date: June 17, 2025
ISBN: 9781640097056
Page Count: 288
Publisher: Counterpoint
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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