Parents and libraries should welcome this edition, appealing and accessible for 21st-century children.
An old favorite—the adventures of a wooden puppet whose good heart earns him the right to be a real boy—in a newly illustrated edition of a relatively new translation.
First published in Italian in the late 19th century, this childhood classic has had numerous interpretations. Today, however, most American children who know the story at all will know it from the 1939 Disney cartoon, which distorts its plot and mood and makes Pinocchio far more appealing than the original. Translator Brock gives readers Collodi's Pinocchio: a lazy troublemaker, self-centered and distractible, who remains a wooden puppet right up until the end of his adventures. In the first 30 pages, short-tempered Geppetto has had two scratching-and-biting fights, the Talking Cricket has been smashed dead with a hammer, and Pinocchio has burned off his own feet. The violence may well not faze today’s video game–hardened readers, who will appreciate the sprightly translation. Testa’s pen, ink and watercolor illustrations appear opposite the text, filling the oversized pages. More cheerful in palette and tone than that of Roberto Innocenti’s versions (1988; 2005), this cartoonlike art lightens the overall effect. Chapter headings, repurposed as a table of contents for an unillustrated version of this translation published in 2008, have vanished, but the narrative is otherwise complete.
Parents and libraries should welcome this edition, appealing and accessible for 21st-century children. (Fantasy. 8-14)Pub Date: Oct. 9, 2012
ISBN: 978-1-59017-588-0
Page Count: 184
Publisher: New York Review Books
Review Posted Online: July 31, 2012
Kirkus Reviews Issue: Sept. 1, 2012
BOOK REVIEW
BOOK REVIEW
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.
In Florence’s middle-grade fantasy novel, a young girl’s heart is tested in the face of an evil, spreading Darkness.
Eleven-year-old Lydia, “freckle-cheeked and round-eyed, with hair the color of pine bark and fair skin,” is struggling with the knowledge that she has reached the age to apprentice as an herbalist. Lydia is reluctant to leave her beloved, magical Mulberry Glen and her cozy Housetree in the woods—she’ll miss Garder, the Glen’s respected philosopher; her fairy guardian Pit; her human friend Livy; and even the mischievous part-elf, part-imp, part-human twins Zale and Zamilla. But the twins go missing after hearing of a soul-sapping Darkness that has swallowed a forest and is creeping into minds and engulfing entire towns. They have secretly left to find a rare fruit that, it is said, will stop the Darkness if thrown into the heart of the mountain that rises out of the lethal forest. Lydia follows, determined to find the twins before they, too, fall victim to the Darkness. During her journey, accompanied by new friends, she gradually realizes that she herself has a dangerous role to play in the quest to stop the Darkness. In this well-crafted fantasy, Florence skillfully equates the physical manifestation of Darkness with the feelings of insecurity and powerlessness that Lydia first struggles with when thinking of leaving the Glen. Such negative thoughts grow more intrusive the closer she and her friends come to the Darkness—and to Lydia’s ultimate, powerfully rendered test of character, which leads to a satisfyingly realistic, not quite happily-ever-after ending. Highlights include a delightfully haunting, reality-shifting library and a deft sprinkling of Latin throughout the text; Pit’s pet name for Lydia is mea flosculus (“my little flower”). Fine-lined ink drawings introducing each chapter add a pleasing visual element to this well-grounded fairy tale.
An absorbing fantasy centered on a resilient female protagonist facing growth, change, and self-empowerment.Pub Date: Jan. 7, 2025
ISBN: 9781956393095
Page Count: 288
Publisher: Waxwing Books
Review Posted Online: Oct. 14, 2024
Kirkus Reviews Issue: Jan. 1, 2025
Review Program: Kirkus Indie
A solid series starter for tinkerers and adventurers alike.
Even robot cats have a mind of their own.
All 12-year-old Canadian Lacey Chu’s ever wanted was to become a companioneer like her idol, Monica Chan, co-founder of the largest tech firm in North America, Moncha Corp., and mastermind behind the baku. Bakus, “robotic pets with all the features of a smartphone,” revolutionized society and how people interact with technology. As a companioneer, Lacey could work on bakus: designing, innovating, and building. When she receives a grant rejection from Profectus Academy of Science and Technology, a school that guarantees employment at Moncha Corp., she’s devastated. A happenstance salvaging of a mangled cat baku might just change the game. Suddenly, Lacey’s got an in with Profectus and is one step closer to her dream. Jinx, however, is not quite like the other bakus—he’s a wild cat that does things without commands. Together with Jinx, Lacey will have to navigate competitive classmates and unsettling corporate secrets. McCulloch effectively strikes a balance between worldbuilding and action. High-stakes baku battles demonstrate the emotional bond between (robotic) pet and owner. Readers will also connect to the relationships the Asian girl forges with her diverse classmates, including a rivalry with Carter (a white boy who’s the son of Moncha’s other co-founder, Eric Smith), a burgeoning crush on student Tobias, who’s black, and evolving friendships new and old. While some mysteries are solved, a cliffhanger ending raises even more for the next installment.
A solid series starter for tinkerers and adventurers alike. (Science fiction. 8-13)Pub Date: Jan. 1, 2020
ISBN: 978-1-4926-8374-2
Page Count: 336
Publisher: Sourcebooks
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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