A vibrant, bighearted account of a child’s first forays into independence.
A young boy learns the value of a quarter in Matias and Zhang’s beguiling picture book.
It’s Monday and the first day of school. Ready to become a “niño grande,” Ernesto prepares for the walk to school—this time without his parents to accompany him! With his lucky sneakers and favorite Mets cap on, he goes to the door, “feelin’ freshhhh!” But wait! His mom cuts him off, handing him a shiny new quarter for a pay phone in case of an emergency. A kiss goodbye, and Ernesto heads out with his friends. The group stops at Señor José’s bodega, where baseball cards tempt Ernesto. But he refuses to use his quarter. For the entire school week, Ernesto receives an emergency quarter from his mamá each morning and each day refuses sweet temptations such as jugos de frutas and tamales with steadfast determination. “These quarters are for emergencies.” Fittingly, the story ends on an unexpected and delightful note. In his picture-book debut, Matias serves up a playful slice-of-life tale that bubbles with heart and gentle humor. A palpable portrait of community emerges through each named character and local tiendita introduced, guiding readers through Ernesto’s neighborhood. Likewise, Zhang’s gouache, watercolor, and ink artwork is richly dense, with lush colors, angled and wide perspectives, and expressionistic details that conjure a bustling city. Ernesto and his family are Dominican, while the surrounding community demonstrates racial diversity.
A vibrant, bighearted account of a child’s first forays into independence. (author’s note) (Picture book. 4-8)Pub Date: May 28, 2024
ISBN: 9780063271456
Page Count: 40
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Feb. 17, 2024
Kirkus Reviews Issue: March 15, 2024
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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