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THE HIDDEN LIFE OF OTTO FRANK

A curious study of fleshly weakness and the will to survive—and a representation certain to yield controversy.

A troubling portrait of an iconic figure of the Holocaust and his sad, secretive life during and after the Nazi era.

Lee, a biographer of Otto’s daughter (Roses from the Earth, not reviewed, etc.) and associate of the Anne Frank Trust, brings due sympathy to bear on Otto, a German Jew who had served with distinction in the Kaiser’s army, succeeded in business, but was forced out of Nazi Germany into neighboring Holland. There he established a spice-importing firm, some of whose employees were members of the Dutch Nazi Party—many Netherlanders, Lee writes, were glad to join the crusade to purge Europe of Jews; whereas the survival rate for French Jews was something like 75 percent, only 25 percent of those in the Netherlands saw the fall of the Nazi regime. A Dutch Nazi acquaintance of one of those employees began to blackmail Otto, and for a time he kept the knowledge of Frank’s secret annex to himself until someone—Lee has a strong opinion on who that was—phoned the Gestapo to betray the Frank family. Amazingly, the blackmail resumed after the war and Otto’s relocation to Switzerland. What was the basis of thug Tonny Ahlers’s hold over Otto? Lee suggests that it had to do with Frank’s collaboration with the occupying Wehrmacht, to which he sold pectin and other materiel; adultery may have figured into the matter, too, for Ahlers’s acquaintance suspected that his wife had been having an affair with Frank. Lee does not condemn Frank, though she points to some strange choices he made while editing his daughter’s famous diaries for publication, as well as his approval of a German translation that altered lines such as “only the language of civilized people may be spoken, thus no German” to “all civilized languages . . . but softly!”—all of which brought Frank fortune, and Ahlers too.

A curious study of fleshly weakness and the will to survive—and a representation certain to yield controversy.

Pub Date: Feb. 4, 2003

ISBN: 0-06-052082-5

Page Count: 432

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2002

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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