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The Shameless Full Moon, Travels in Africa

A tender love letter to the plateau continent.

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  • Kirkus Reviews'
    Best Books Of 2014

Miller, a Mexico-based American journalist, celebrates Africa in this compelling travel memoir.

While awaiting her flight to Nairobi, Miller found herself in close proximity to an explosion at Charles de Gaulle Airport. Shaken but remaining levelheaded, she later boarded a plane to begin her African adventure. The tempo of the memoir is thereby set: fast-paced, occasionally bordering on the urgent, yet always coolly informative. Miller writes that during her time spent away from Africa, she missed it as she might “a close friend or beloved relative”—a sentiment palpable throughout the memoir, as the continent and its diverse array of people are described in tender detail. The author’s journey takes her to Kenya, Tanzania, Zambia and Zimbabwe. The Nairobi men are “lean and long, with chiseled features,” whereas the Masai men, have “[d]eep-set eyes, [and a] penetrating gaze, yet soft and soulful.” This form of earnest portraiture captures the manner in which, as with the landscape, human physical characteristics change as the miles pass. The political landscape is also carefully considered, with a specific focus on the impact of colonialism and subsequent waves of tourism. The book’s true power lies in its ability to communicate the freedom and wonder of traversing through Africa’s wide-open spaces. Readers share in the amazement of seeing wild animals in their natural habitats and traveling under a “canopy of moon and stars.” The author describes spiritual aspects of the continent—for example, the legend of Nyami-Nymai, the river god of the Zambezi—yet this travelogue is also an intimate account of a deeply moving inner journey. Although Africa’s dangers are present, not central, the memoir has its thrills and spills, most notably a shipwreck in Zimbabwe. Focus is placed upon the positive impact the continent can have on the individual, which is helpful in debunking Western perceptions of Africa as merely perilous and politically unstable. Carefully researched and written with passion, the narrative buzzes with an energy drawn from the land itself.

A tender love letter to the plateau continent. 

Pub Date: Feb. 25, 2014

ISBN: 978-1-4949-3654-9

Page Count: 246

Publisher: CreateSpace

Review Posted Online: April 7, 2014

Kirkus Reviews Issue: May 15, 2014

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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