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FREEDOM ON THE MENU

THE GREENSBORO SIT-INS

An ordinary African-American girl witnesses extraordinary events in this first-person account of the Greensboro sit-ins of 1960. Eight-year-old Connie lives in a segregated world where she can’t use the same public drinking fountains, bathrooms, movie theatres, swimming pools, and lunch counters as whites. Then one day everything changes. Four African-American college boys stage a sit-in at the local Woolworth’s lunch counter and Connie anxiously watches history unfold as her own brother and sister join the picketing and sit-ins and protest spreads throughout the South. A long six months later, Connie samples the sweet taste of freedom when she is served a banana split at the same lunch counter. Lagarrigue’s somber, somewhat impressionistic paintings capture the dignity and gravity of the times. This quietly moving story pays tribute to the peaceful protesters who did indeed “overcome.” (author’s note) (Picture book. 5+)

Pub Date: Jan. 1, 2005

ISBN: 0-8037-2860-3

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 2004

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ASHES TO ASHEVILLE

Some readers may feel that the resolution comes a mite too easily, but most will enjoy the journey and be pleased when...

Two sisters make an unauthorized expedition to their former hometown and in the process bring together the two parts of their divided family.

Dooley packs plenty of emotion into this eventful road trip, which takes place over the course of less than 24 hours. Twelve-year-old Ophelia, nicknamed Fella, and her 16-year-old sister, Zoey Grace, aka Zany, are the daughters of a lesbian couple, Shannon and Lacy, who could not legally marry. The two white girls squabble and share memories as they travel from West Virginia to Asheville, North Carolina, where Zany is determined to scatter Mama Lacy’s ashes in accordance with her wishes. The year is 2004, before the Supreme Court decision on gay marriage, and the girls have been separated by hostile, antediluvian custodial laws. Fella’s present-tense narration paints pictures not just of the difficulties they face on the trip (a snowstorm, car trouble, and an unlikely thief among them), but also of their lives before Mama Lacy’s illness and of the ways that things have changed since then. Breathless and engaging, Fella’s distinctive voice is convincingly childlike. The conversations she has with her sister, as well as her insights about their relationship, likewise ring true. While the girls face serious issues, amusing details and the caring adults in their lives keep the tone relatively light.

Some readers may feel that the resolution comes a mite too easily, but most will enjoy the journey and be pleased when Fella’s family figures out how to come together in a new way . (Historical fiction. 10-14)

Pub Date: April 4, 2017

ISBN: 978-0-399-16504-7

Page Count: 256

Publisher: Putnam

Review Posted Online: Jan. 31, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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